{"id":1501,"date":"2024-08-20T21:14:56","date_gmt":"2024-08-20T19:14:56","guid":{"rendered":"https:\/\/cs-embe.ro\/nr-7-1-2023\/"},"modified":"2025-06-04T21:19:07","modified_gmt":"2025-06-04T19:19:07","slug":"nr-7-1-2024","status":"publish","type":"page","link":"https:\/\/cs-embe.ro\/en\/nr-7-1-2024\/","title":{"rendered":"Vol. 5, No. 7 \/ 2024"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;4.21.0&#8243; _module_preset=&#8221;default&#8221; background_enable_color=&#8221;off&#8221; background_image=&#8221;http:\/\/cs-embe.ro\/wp-content\/uploads\/2023\/03\/paper.jpg&#8221; custom_padding=&#8221;||0px||false|false&#8221; animation_style=&#8221;fade&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row column_structure=&#8221;1_2,1_2&#8243; _builder_version=&#8221;4.20.2&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.20.2&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.21.0&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;0px||0px||false|false&#8221; custom_padding=&#8221;||||false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3>The journal<\/h3>\n<p>[\/et_pb_text][et_pb_divider divider_weight=&#8221;2px&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;||||false|false&#8221; custom_padding=&#8221;||||false|false&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_text _builder_version=&#8221;4.21.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h1>Vol. 5, No. 7\u00a0 \/\u00a0 2024<\/h1>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3>Click on the chapter to read it<\/h3>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.20.2&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/cs-embe.ro\/wp-content\/uploads\/2024\/08\/revista-cercetari-si-studii-7.webp&#8221; title_text=&#8221;revista cercetari si studii 7&#8243; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;4.21.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row _builder_version=&#8221;4.21.0&#8243; _module_preset=&#8221;default&#8221; custom_padding=&#8221;||80px||false|false&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.21.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3>ETHNO-MUSICOLOGY<\/h3>\n<p><strong>1. <\/strong><a href=\"https:\/\/cs-embe.ro\/en\/nr-7-1-2023\/retrospections-and-reflections-of-the-ethnomusicological-work-of-vlad%d0%be-s-milosevic\/\"><span style=\"text-decoration: underline;\"><strong>Dragica PANI\u0106 KA\u0160ANSKI:<\/strong> RETROSPECTIONS AND REFLECTIONS OF THE ETHNOMUSICOLOGICAL WORK OF VLAD\u041e S. MILO\u0160EVI\u0106\u0412\u041b\u0410\u0414\u0415 \u0421. \u041c\u0418\u041b\u041e\u0428\u0415\u0412\u0418\u040b\u0410 <\/span><\/a><\/p>\n<p><strong>2. <\/strong><a href=\"https:\/\/cs-embe.ro\/en\/nr-7-1-2024\/carols-from-fagaras-land\/\"><span style=\"text-decoration: underline;\"><strong>Ion NEGRIL\u0102:<\/strong> CAROLS FROM F\u0102G\u0102RA\u0218 LAND<\/span><\/a><\/p>\n<p><strong>3.\u00a0<span style=\"text-decoration: underline;\"><a href=\"https:\/\/cs-embe.ro\/en\/nr-7-1-2024\/the-meaning-and-role-of-the-gusle-on-the-example-of-national-singer-with-gusle-accompaniment-kosta-plakalovic\/\">Sofija VU\u010cI\u0106EVI\u0106:<\/a><\/span><\/strong><a href=\"https:\/\/cs-embe.ro\/en\/nr-7-1-2024\/the-meaning-and-role-of-the-gusle-on-the-example-of-national-singer-with-gusle-accompaniment-kosta-plakalovic\/\"><span style=\"text-decoration: underline;\"> THE MEANING AND ROLE OF THE GUSLE ON THE EXAMPLE OF NATIONAL SINGER WITH GUSLE ACCOMPANIMENT KOSTA PLAKALOVI\u0106<\/span><\/a><\/p>\n<p><strong>4. <\/strong><a href=\"https:\/\/cs-embe.ro\/en\/nr-7-1-2024\/mioritic-context-in-the-string-quartet\/\"><span style=\"text-decoration: underline;\"><strong>Lucian Emil RO\u0218CA:<\/strong> MIORITIC CONTEXT IN THE STRING QUARTET<br \/><\/span><\/a><\/p>\n<p><strong>5. <\/strong><a href=\"https:\/\/cs-embe.ro\/en\/nr-7-1-2024\/the-carol-representative-species-of-romanian-culture-in-sabin-dragois-interests\/\"><span style=\"text-decoration: underline;\"><strong>Vasile VASILE:<\/strong><\/span><span style=\"text-decoration: underline;\"> THE CAROL \u2013 REPRESENTATIVE SPECIES OF ROMANIAN CULTURE IN SABIN DRAGOI\u2019S INTERESTS<\/span><span style=\"text-decoration: underline;\"><br \/><\/span><\/a><\/p>\n<p><strong>6. <\/strong><a href=\"https:\/\/cs-embe.ro\/en\/nr-7-1-2024\/miklos-rozsa-duo-op-8-for-cello-and-piano-anevocation-of-hungarian-folklore\/\"><span style=\"text-decoration: underline;\"><strong>Anca L\u0102Z\u0102RESCU:<\/strong> MIKLOS R\u00d3ZSA \u2013 DUO OP. 8, FOR CELLO AND PIANO \u2013 ANEVOCATION OF HUNGARIAN FOLKLORE<\/span><\/a><\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3>BYZANTINOLOGY<\/h3>\n<p><strong>7. <a href=\"https:\/\/cs-embe.ro\/nr-7-1-2024\/cantarea-bisericeasca-in-serbia-moderna-sec-xix-xx\/\"><span style=\"text-decoration: underline;\">Adrian C\u0103lin BOBA: <\/span><\/a><\/strong><a href=\"https:\/\/cs-embe.ro\/nr-7-1-2024\/cantarea-bisericeasca-in-serbia-moderna-sec-xix-xx\/\"><span style=\"text-decoration: underline;\"> C\u00c2NTAREA BISERICEASC\u0102 \u00ceN SERBIA MODERN\u0102, SEC. XIX-XX <\/span><\/a><a href=\"https:\/\/cs-embe.ro\/wp-content\/uploads\/2023\/12\/6_08-Jasin.pdf\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\"><\/span><\/a><\/p>\n<p><strong>8.<a href=\"https:\/\/cs-embe.ro\/en\/nr-7-1-2024\/aspects-of-byzantine-music-from-byzantium-after-byzantium\/\"> <span style=\"text-decoration: underline;\">Ion Alexandru ARDEREANU: <\/span><\/a><\/strong><a href=\"https:\/\/cs-embe.ro\/en\/nr-7-1-2024\/aspects-of-byzantine-music-from-byzantium-after-byzantium\/\"><span style=\"text-decoration: underline;\">ASPECTS OF BYZANTINE MUSIC FROM \u201dBYZANTIUM AFTER BYZANTIUM\u201d<\/span><span style=\"text-decoration: underline;\"><br \/><\/span><\/a><\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; custom_padding=&#8221;||0px|||&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3>ETHNOCHOREOLOGY<\/h3>\n<p><strong>9. <span style=\"text-decoration: underline;\"><a href=\"https:\/\/cs-embe.ro\/en\/nr-7-1-2024\/male-ritual-processions-in-macedonia\/\">Vladimir JANEVSKI:<\/a><\/span><\/strong><span style=\"text-decoration: underline;\"><a href=\"https:\/\/cs-embe.ro\/en\/nr-7-1-2024\/male-ritual-processions-in-macedonia\/\"> MALE RITUAL PROCESSIONS IN MACEDONIA<\/a><\/span><a href=\"https:\/\/cs-embe.ro\/wp-content\/uploads\/2023\/12\/6_13-Janevska.pdf\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\"><\/span><\/a><\/p>\n<p><strong>10. <span style=\"text-decoration: underline;\"><a href=\"https:\/\/cs-embe.ro\/en\/nr-7-1-2024\/overview-of-the-dance-repertoire-of-pomorisje-from-the-middle-of-the-19th-century-until-today\/\">Igor POPOV:<\/a><\/span><\/strong><span style=\"text-decoration: underline;\"><a href=\"https:\/\/cs-embe.ro\/en\/nr-7-1-2024\/overview-of-the-dance-repertoire-of-pomorisje-from-the-middle-of-the-19th-century-until-today\/\"> OVERVIEW OF THE DANCE REPERTOIRE OF POMORI\u0160JE (FROM THE MIDDLE OF THE 19TH CENTURY UNTIL TODAY<\/a><\/span><\/p>\n<p><strong>11.\u00a0<span style=\"text-decoration: underline;\"><a href=\"https:\/\/cs-embe.ro\/en\/nr-7-1-2024\/ethnochoreological-aspects-of-petrino-village-according-to-cveta-gelevska\/\">Ljupka STEFANOVSKA:<\/a><\/span><\/strong><span style=\"text-decoration: underline;\"><a href=\"https:\/\/cs-embe.ro\/en\/nr-7-1-2024\/ethnochoreological-aspects-of-petrino-village-according-to-cveta-gelevska\/\"> ETHNOCHOREOLOGICAL ASPECTS OF PETRINO VILLAGE ACCORDING TO CVETA GELEVSKA<\/a><\/span><\/p>\n<p><strong>12. <\/strong><a href=\"https:\/\/cs-embe.ro\/en\/nr-7-1-2024\/etnhnochorelogical-analysis-of-the-ethnological-film-miravci-wedding-recorded-in-1953\/\"><span style=\"text-decoration: underline;\"><strong>Silvester PROLE:<\/strong> ETNHNOCHORELOGICAL ANALYSIS OF THE ETHNOLOGICAL FILM MIRAVCI WEDDING RECORDED IN 1953<\/span><\/a><\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3>ETHNOLOGY<\/h3>\n<p><strong>13. <a href=\"https:\/\/cs-embe.ro\/en\/nr-7-1-2024\/mysticism-and-aesthetics-spiritual-transcendence-in-the-traditional-art-of-banat\/\"><span style=\"text-decoration: underline;\">Marius MATEI:\u00a0<\/span><\/a><\/strong><a href=\"https:\/\/cs-embe.ro\/en\/nr-7-1-2024\/mysticism-and-aesthetics-spiritual-transcendence-in-the-traditional-art-of-banat\/\"><span style=\"text-decoration: underline;\">MYSTICISM AND AESTHETICS: SPIRITUAL TRANSCENDENCE IN THE TRADITIONAL ART OF BANAT \u00ceN ARTA TRADI\u021aIONAL\u0102 A BANATULUI<\/span><\/a><\/p>\n<p><strong>14. <\/strong><a href=\"https:\/\/cs-embe.ro\/en\/nr-7-1-2024\/the-stylistic-characteristics-of-the-male-and-female-folk-chain-dances-in-the-documentary-film-rhythm-and-sound-1955\/\"><span style=\"text-decoration: underline;\"><strong>Marjan ANDONOVSKI:<\/strong><\/span><span style=\"text-decoration: underline;\"> THE STYLISTIC CHARACTERISTICS OF THE MALE AND FEMALE FOLK CHAIN DANCES IN THE DOCUMENTARY FILM ,,RHYTHM AND SOUND\u201d \u2013 1955<\/span><\/a><\/p>\n<p><strong>15.\u00a0<span style=\"text-decoration: underline;\"><a href=\"https:\/\/cs-embe.ro\/en\/nr-7-1-2023\/historical-aspects-of-the-%d0%bainetography-inscriptions\/\">Hristijan NIKOLOVSKI:<\/a><\/span><\/strong><a href=\"https:\/\/cs-embe.ro\/en\/nr-7-1-2023\/historical-aspects-of-the-%d0%bainetography-inscriptions\/\"><span style=\"text-decoration: underline;\"> HISTORICAL ASPECTS OF THE \u041aINETOGRAPHY INSCRIPTIONS<\/span><\/a><\/p>\n<p><strong>16. <\/strong><a href=\"https:\/\/cs-embe.ro\/en\/nr-7-1-2024\/analytical-review-of-ivandenki-womens-ritual-processions-from-gorna-prespa\/\"><span style=\"text-decoration: underline;\"><strong>Tijana JANEVSKA:<\/strong> ANALYTICAL REVIEW OF IVANDENKI \u2013 WOMEN\u2019S RITUAL PROCESSIONS FROM GORNA PRESPA\u041f\u041e\u0412\u041e\u0420\u041a\u0418 \u041e\u0414 \u0413\u041e\u0420\u041d\u0410 \u041f\u0420\u0415\u0421\u041f\u0410<\/span><\/a><\/p>\n<p><strong>17. <span style=\"text-decoration: underline;\"><a href=\"https:\/\/cs-embe.ro\/en\/nr-7-1-2024\/the-state-issues-and-prospects-of-associations-groups-and-ensembles-in-the-folklore-field-during-the-worldwide-pandemic\/\">Valentin SOKLEVSKI:<\/a><\/span><\/strong><span style=\"text-decoration: underline;\"><a href=\"https:\/\/cs-embe.ro\/en\/nr-7-1-2024\/the-state-issues-and-prospects-of-associations-groups-and-ensembles-in-the-folklore-field-during-the-worldwide-pandemic\/\"> THE STATE, ISSUES AND PROSPECTS OF ASSOCIATIONS, GROUPS AND ENSEMBLES IN THE FOLKLORE FIELD DURING THE WORLDWIDE PANDEMIC<\/a><\/span><\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3>CRITICISM AND REVIEWS<\/h3>\n<p><strong>18. <span style=\"text-decoration: underline;\"><a href=\"https:\/\/cs-embe.ro\/wp-content\/uploads\/2024\/08\/7_18-Stan.pdf\">Dr. Constantin-Tufan STAN: <\/a><\/span><\/strong><span style=\"text-decoration: underline;\"><a href=\"https:\/\/cs-embe.ro\/wp-content\/uploads\/2024\/08\/7_18-Stan.pdf\">The Association for Banat Culture and maestro Gy\u00f6rgy Kurt\u00e1g<\/a><\/span><\/p>\n<p><strong>19. <span style=\"text-decoration: underline;\"><a href=\"https:\/\/cs-embe.ro\/wp-content\/uploads\/2024\/08\/7_19-Enescu.pdf\">Maria ENESCU:<\/a><\/span><\/strong><span style=\"text-decoration: underline;\"><a href=\"https:\/\/cs-embe.ro\/wp-content\/uploads\/2024\/08\/7_19-Enescu.pdf\"> The annual international conference of the Associaton for Banat Culture<br \/><\/a><\/span><\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The journalVol. 5, No. 7\u00a0 \/\u00a0 2024Click on the chapter to read itETHNO-MUSICOLOGY 1. Dragica PANI\u0106 KA\u0160ANSKI: RETROSPECTIONS AND REFLECTIONS OF THE ETHNOMUSICOLOGICAL WORK OF VLAD\u041e S. MILO\u0160EVI\u0106\u0412\u041b\u0410\u0414\u0415 \u0421. \u041c\u0418\u041b\u041e\u0428\u0415\u0412\u0418\u040b\u0410 2. Ion NEGRIL\u0102: CAROLS FROM F\u0102G\u0102RA\u0218 LAND 3.\u00a0Sofija VU\u010cI\u0106EVI\u0106: THE MEANING AND ROLE OF THE GUSLE ON THE EXAMPLE OF NATIONAL SINGER WITH GUSLE ACCOMPANIMENT [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-1501","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Vol. 5, No. 7 \/ 2024 | Cercet\u0103ri \u0219i studii<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cs-embe.ro\/en\/nr-7-1-2024\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Vol. 5, No. 7 \/ 2024 | Cercet\u0103ri \u0219i studii\" \/>\n<meta property=\"og:url\" content=\"https:\/\/cs-embe.ro\/en\/nr-7-1-2024\/\" \/>\n<meta property=\"og:site_name\" content=\"Cercet\u0103ri \u0219i studii\" \/>\n<meta property=\"article:modified_time\" content=\"2025-06-04T19:19:07+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/cs-embe.ro\/wp-content\/uploads\/2023\/03\/logo-acb-negru-3-limbi_var1-1.png\" \/>\n\t<meta property=\"og:image:width\" content=\"340\" \/>\n\t<meta property=\"og:image:height\" content=\"183\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/cs-embe.ro\/en\/nr-7-1-2024\/\",\"url\":\"https:\/\/cs-embe.ro\/en\/nr-7-1-2024\/\",\"name\":\"Vol. 5, No. 7 \/ 2024 | Cercet\u0103ri \u0219i studii\",\"isPartOf\":{\"@id\":\"https:\/\/cs-embe.ro\/#website\"},\"datePublished\":\"2024-08-20T19:14:56+00:00\",\"dateModified\":\"2025-06-04T19:19:07+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/cs-embe.ro\/en\/nr-7-1-2024\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/cs-embe.ro\/en\/nr-7-1-2024\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/cs-embe.ro\/en\/nr-7-1-2024\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/cs-embe.ro\/en\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Vol. 5, No. 7 \/ 2024\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/cs-embe.ro\/#website\",\"url\":\"https:\/\/cs-embe.ro\/\",\"name\":\"Cercet\u0103ri \u0219i studii. 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