{"id":1813,"date":"2025-04-11T22:26:26","date_gmt":"2025-04-11T20:26:26","guid":{"rendered":"https:\/\/cs-embe.ro\/nr-7-1-2023\/miklos-rozsa-duo-op-8-for-cello-and-piano-anevocation-of-hungarian-folklore\/"},"modified":"2025-06-03T22:47:19","modified_gmt":"2025-06-03T20:47:19","slug":"miklos-rozsa-duo-op-8-for-cello-and-piano-anevocation-of-hungarian-folklore","status":"publish","type":"page","link":"https:\/\/cs-embe.ro\/en\/nr-7-1-2024\/miklos-rozsa-duo-op-8-for-cello-and-piano-anevocation-of-hungarian-folklore\/","title":{"rendered":"MIKLOS R\u00d3ZSA \u2013 DUO OP. 8, FOR CELLO AND PIANO \u2013 ANEVOCATION OF HUNGARIAN FOLKLORE"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;4.21.0&#8243; _module_preset=&#8221;default&#8221; background_enable_color=&#8221;off&#8221; background_image=&#8221;http:\/\/cs-embe.ro\/wp-content\/uploads\/2023\/03\/paper.jpg&#8221; custom_padding=&#8221;||0px||false|false&#8221; animation_style=&#8221;fade&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row column_structure=&#8221;2_3,1_3&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; custom_padding=&#8221;||80px||false|false&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;2_3&#8243; _builder_version=&#8221;4.21.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p><strong>Anca L\u0102Z\u0102RESCU:<\/strong> MIKLOS R\u00d3ZSA \u2013 DUO OP. 8, FOR CELLO AND PIANO \u2013 ANEVOCATION OF HUNGARIAN FOLKLORE<\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<p><strong>DOI: 10.63702\/csembe.2024.1.7.73<\/strong><\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p><strong>Keywords: <\/strong>balance; modal; timbrality; thematic; variations;<\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p><strong>Abstract:<br \/><\/strong>The deep expressiveness of the cello and the natural appropriation of each<br \/>role were also exploited in chamber creation. The framing and recognition of Miklos R\u00f3zsaprimarily as a composer of Hollywood soundtracks diminished the interest of performers, audiences and critics for the other side of his &#8220;double life&#8221;, to be a composer of works of art for the concert hall.<\/p>\n<p>The works of composer Miklos R\u00f3zsa represent a considerable segment of the 20th century repertoire for cello. Duo op. 8 is one of his early works, but received great attention in previous academic debates. Of all the works he composed for cello, the duo for cello and piano, op. 8 he is the least technically demanding violoncellist, but it is a work in which the emphasis is on equal vocals, as opposed to the instrumental virtuosity approached in his other works.<\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p><strong>References:<br \/><\/strong>&#8211; McKenney, N. J. (2002). The Chamber Music of Mikl\u00f3s R\u00f3zsa. S.U.A: Editura University of Kentucky<br \/>&#8211; Palmer, C. (1975). Mikl\u00f3s R\u00f3zsa. A Sketch of his Life and Work, Londra \u0219i Wiesbaden: Editura Breitkopf &amp; H\u00e4rtel<br \/>&#8211; Rozsa, M. (1989). Double Life. New York, S.U.A: Editura Wynwood Press<br \/>&#8211; Wescott, S. D. (1990). Mikl\u00f3s R\u00f3zsa: A portrait of the composer as seen through an analysis of his early works for feature films and the concert stage. University of Minnesota, S.U.A<\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; background_color=&#8221;#FFFFFF&#8221; custom_padding=&#8221;16px|16px|16px|16px|false|false&#8221; border_radii=&#8221;on|8px|8px|8px|8px&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_button button_url=&#8221;https:\/\/cs-embe.ro\/wp-content\/uploads\/2025\/06\/7_06-Lazarescu.pdf&#8221; button_text=&#8221;Articol PDF&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;][\/et_pb_button][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p><strong>Published:<br \/><\/strong>15.07.2024<strong><\/strong><\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;||8px||false|false&#8221; custom_padding=&#8221;||||false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p><strong>License:<\/strong><strong><\/strong><\/p>\n<p>[\/et_pb_text][et_pb_image src=&#8221;https:\/\/cs-embe.ro\/wp-content\/uploads\/2025\/04\/CC_logomark2.svg&#8221; title_text=&#8221;CC_logomark2&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; max_width=&#8221;50%&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>This work is licensed under a <a href=\"https:\/\/creativecommons.org\/licenses\/by\/4.0\/\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">Creative Commons Attribution 4.0 International License.<\/span><\/a><\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>This work is licensed under a <span style=\"text-decoration: underline;\"><a href=\"http:\/\/creativecommons.org\/licenses\/by\/4.0\/\" target=\"_blank\" rel=\"noopener\">CC BY Creative Commons Attribution 4.0 International License<\/a><\/span>, which permits any use, reproduction, distribution, self-archiving and citation of the work as long as the authors are credited. The complete bibliographical data of <em>Symbolon<\/em> Journal must also be indicated, which you can find in the <em>How to cite<\/em> section on this page. If possible, please also place a link leading to the original publication. Copyright of articles belongs to the authors.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Anca L\u0102Z\u0102RESCU: MIKLOS R\u00d3ZSA \u2013 DUO OP. 8, FOR CELLO AND PIANO \u2013 ANEVOCATION OF HUNGARIAN FOLKLOREDOI: 10.63702\/csembe.2024.1.7.73Keywords: balance; modal; timbrality; thematic; variations;Abstract:The deep expressiveness of the cello and the natural appropriation of eachrole were also exploited in chamber creation. The framing and recognition of Miklos R\u00f3zsaprimarily as a composer of Hollywood soundtracks diminished the [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":1501,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-1813","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>MIKLOS R\u00d3ZSA \u2013 DUO OP. 8, FOR CELLO AND PIANO \u2013 ANEVOCATION OF HUNGARIAN FOLKLORE | Cercet\u0103ri \u0219i studii<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cs-embe.ro\/en\/nr-7-1-2024\/miklos-rozsa-duo-op-8-for-cello-and-piano-anevocation-of-hungarian-folklore\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"MIKLOS R\u00d3ZSA \u2013 DUO OP. 8, FOR CELLO AND PIANO \u2013 ANEVOCATION OF HUNGARIAN FOLKLORE | Cercet\u0103ri \u0219i studii\" \/>\n<meta property=\"og:url\" content=\"https:\/\/cs-embe.ro\/en\/nr-7-1-2024\/miklos-rozsa-duo-op-8-for-cello-and-piano-anevocation-of-hungarian-folklore\/\" \/>\n<meta property=\"og:site_name\" content=\"Cercet\u0103ri \u0219i studii\" \/>\n<meta property=\"article:modified_time\" content=\"2025-06-03T20:47:19+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/cs-embe.ro\/wp-content\/uploads\/2023\/03\/logo-acb-negru-3-limbi_var1-1.png\" \/>\n\t<meta property=\"og:image:width\" content=\"340\" \/>\n\t<meta property=\"og:image:height\" content=\"183\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/cs-embe.ro\/en\/nr-7-1-2024\/miklos-rozsa-duo-op-8-for-cello-and-piano-anevocation-of-hungarian-folklore\/\",\"url\":\"https:\/\/cs-embe.ro\/en\/nr-7-1-2024\/miklos-rozsa-duo-op-8-for-cello-and-piano-anevocation-of-hungarian-folklore\/\",\"name\":\"MIKLOS R\u00d3ZSA \u2013 DUO OP. 8, FOR CELLO AND PIANO \u2013 ANEVOCATION OF HUNGARIAN FOLKLORE | Cercet\u0103ri \u0219i studii\",\"isPartOf\":{\"@id\":\"https:\/\/cs-embe.ro\/#website\"},\"datePublished\":\"2025-04-11T20:26:26+00:00\",\"dateModified\":\"2025-06-03T20:47:19+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/cs-embe.ro\/en\/nr-7-1-2024\/miklos-rozsa-duo-op-8-for-cello-and-piano-anevocation-of-hungarian-folklore\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/cs-embe.ro\/en\/nr-7-1-2024\/miklos-rozsa-duo-op-8-for-cello-and-piano-anevocation-of-hungarian-folklore\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/cs-embe.ro\/en\/nr-7-1-2024\/miklos-rozsa-duo-op-8-for-cello-and-piano-anevocation-of-hungarian-folklore\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/cs-embe.ro\/en\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Vol. 5, No. 7 \/ 2024\",\"item\":\"https:\/\/cs-embe.ro\/en\/nr-7-1-2024\/\"},{\"@type\":\"ListItem\",\"position\":3,\"name\":\"MIKLOS R\u00d3ZSA \u2013 DUO OP. 8, FOR CELLO AND PIANO \u2013 ANEVOCATION OF HUNGARIAN FOLKLORE\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/cs-embe.ro\/#website\",\"url\":\"https:\/\/cs-embe.ro\/\",\"name\":\"Cercet\u0103ri \u0219i studii. 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