{"id":1815,"date":"2025-04-11T23:16:53","date_gmt":"2025-04-11T21:16:53","guid":{"rendered":"https:\/\/cs-embe.ro\/nr-7-1-2023\/analytical-review-of-ivandenki-womens-ritual-processions-from-gorna-prespa\/"},"modified":"2025-06-03T22:47:43","modified_gmt":"2025-06-03T20:47:43","slug":"analytical-review-of-ivandenki-womens-ritual-processions-from-gorna-prespa","status":"publish","type":"page","link":"https:\/\/cs-embe.ro\/en\/nr-7-1-2024\/analytical-review-of-ivandenki-womens-ritual-processions-from-gorna-prespa\/","title":{"rendered":"ANALYTICAL REVIEW OF IVANDENKI \u2013 WOMEN’S RITUAL PROCESSIONS FROM GORNA PRESPA"},"content":{"rendered":"

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Tijana JANEVSKA:<\/strong> ANALYTICAL REVIEW OF IVANDENKI \u2013 WOMEN’S RITUAL PROCESSIONS FROM GORNA PRESPA<\/p>\n

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DOI: 10.63702\/csembe.2024.1.7.195<\/strong><\/p>\n

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Keywords: <\/strong>Ivandenki; women’s ritual processions; ritual songs; ethno- choreology; comparison; ritual props; analysis; religious aspects; contemporary aspects;<\/p>\n

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Abstract:
<\/strong>The subject of research on this topic was the Ivanden ritual processions and ritual singing in the Gorna Prespa ethnic area. By using special research techniques and methods, relevant data was obtained for the topic in question. The research focused on demonstrating the continuity of their periodic active performance as well as the religious aspects of these ritual processions. The main emphasis was placed on the comparative analysis of the Ivanden rites in rural and urban environments. Special attention was also given to the ritual props. Even today, the Ivandenki are part of the living ritual tradition, and with that, there is a tendency to ensure their greater revival with adaptation for stage performance.<\/p>\n

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References:
<\/strong>– \u0417\u0434\u0440\u0430\u0432\u0435\u0432, \u0403. (1996). \u041c\u0430\u043a\u0435\u0434\u043e\u043d\u0441\u043a\u0438 \u043d\u0430\u0440\u043e\u0434\u043d\u0438 \u043d\u043e\u0441\u0438\u0438 I, \u041c\u0430\u0442\u0438\u0446\u0430 \u043c\u0430\u043a\u0435\u0434\u043e\u043d\u0441\u043a\u0430, \u0421\u043a\u043e\u043f\u0458\u0435.
– \u0408\u0430\u043d\u0435\u0432\u0441\u043a\u0438, \u0412. (2013). \u0415\u0442\u043d\u043e\u043a\u043e\u0440\u0435\u043e\u043b\u043e\u0448\u043a\u0438 \u043a\u0430\u0440\u0430\u043a\u0442\u0435\u0440\u0438\u0441\u0442\u0438\u043a\u0438 \u043d\u0430 \u043c\u0430\u043a\u0435\u0434\u043e\u043d\u0441\u043a\u0438\u0442\u0435 \u043d\u0430\u0440\u043e\u0434\u043d\u0438 \u043e\u0440\u0430 (\u043f\u043e \u0438\u0437\u0431\u0440\u0430\u043d\u0438 \u043f\u0440\u0438\u043c\u0435\u0440\u0438), \u0418\u043d\u0441\u0442\u0438\u0442\u0443\u0442 \u0437\u0430 \u0444\u043e\u043b\u043a\u043b\u043e\u0440 \u201e\u041c\u0430\u0440\u043a\u043e \u0426\u0435\u043f\u0435\u043d\u043a\u043e\u0432\u201c, \u0421\u043a\u043e\u043f\u0458\u0435.
– \u0408\u0430\u043d\u0435\u0432\u0441\u043a\u0438, \u0412. (2019). \u0415\u0442\u043d\u043e\u043a\u043e\u0440\u0435\u043e\u043b\u043e\u0448\u043a\u0430 \u043a\u043b\u0430\u0441\u0438\u0444\u0438\u043a\u0430\u0446\u0438\u0458\u0430 \u043d\u0430 \u043e\u0440\u0430\u0442\u0430 \u0432\u043e \u041c\u0430\u043a\u0435\u0434\u043e\u043d\u0438\u0458\u0430, \u0417\u0434\u0440\u0443\u0436\u0435\u043d\u0438\u0435 \u043d\u0430 \u0435\u0442\u043d\u043e\u043a\u043e\u0440\u0435\u043e\u043b\u043e\u0437\u0438 \u043d\u0430 \u041c\u0430\u043a\u0435\u0434\u043e\u043d\u0438\u0458\u0430, \u0421\u043a\u043e\u043f\u0458\u0435.
– \u041a\u0438\u0442\u0435\u0432\u0441\u043a\u0438, \u041c. (1996). \u041c\u0430\u043a\u0435\u0434\u043e\u043d\u0441\u043a\u0438 \u043f\u0440\u0430\u0437\u043d\u0438\u0446\u0438 \u0438 \u043f\u0440\u0430\u0437\u043d\u0438\u0447\u043d\u0438 \u043e\u0431\u0438\u0447\u0430\u0438, \u041c\u0415\u041d\u041e\u0420\u0410, \u0421\u043a\u043e\u043f\u0458\u0435.
– \u041b\u0443\u0447\u0435\u0441\u043a\u0430, \u0415, \u0421\u0442\u043e\u0458\u0430\u043d\u043e\u0432\u0430, \u041c. (2016). \u0418\u0432\u0430\u043d\u043a\u0438, \u0408\u041d\u0423 \u0418\u043d\u0441\u0442\u0438\u0442\u0443\u0442 \u0437\u0430 \u0441\u0442\u0430\u0440\u043e\u0441\u043b\u043e\u0432\u0435\u043d\u0441\u043a\u0430 \u043a\u0443\u043b\u0442\u0443\u0440\u0430, \u041f\u0440\u0438\u043b\u0435\u043f.
– \u0421\u0442\u043e\u0458\u0430\u043d\u043e\u0432\u0430, \u041c. (2013). \u0418\u0432\u0430\u043d\u0434\u0435\u043d\u0441\u043a\u0438 \u043f\u0440\u0430\u0437\u043d\u0443\u0432\u0430\u045a\u0430 \u0432\u043e \u0420\u0435\u0441\u0435\u043d, \u041d\u0423 \u201e\u0417\u0430\u0432\u043e\u0434 \u0438 \u041c\u0443\u0437\u0435\u0458\u201c, \u0411\u0438\u0442\u043e\u043b\u0430.
– \u0422\u0440\u043f\u0435\u0441\u043a\u0438, \u0414. (2015). \u0413\u043e\u0434\u0438\u0448\u043d\u0438 \u043e\u0431\u0438\u0447\u0430\u0438 \u043a\u0430\u0458 \u041c\u0430\u043a\u0435\u0434\u043e\u043d\u0446\u0438\u0442\u0435, \u041c\u043b\u0430\u0434\u0438\u043d\u0441\u043a\u0430 \u043a\u043d\u0438\u0433\u0430, \u0421\u043a\u043e\u043f\u0458\u0435.<\/p>\n

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Published:
<\/strong>15.07.2024<\/strong><\/p>\n

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License:<\/strong><\/strong><\/p>\n

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This work is licensed under a Creative Commons Attribution 4.0 International License.<\/span><\/a><\/p>\n

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This work is licensed under a CC BY Creative Commons Attribution 4.0 International License<\/a><\/span>, which permits any use, reproduction, distribution, self-archiving and citation of the work as long as the authors are credited. The complete bibliographical data of Symbolon<\/em> Journal must also be indicated, which you can find in the How to cite<\/em> section on this page. If possible, please also place a link leading to the original publication. Copyright of articles belongs to the authors.<\/p>\n

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Tijana JANEVSKA: ANALYTICAL REVIEW OF IVANDENKI \u2013 WOMEN’S RITUAL PROCESSIONS FROM GORNA PRESPADOI: 10.63702\/csembe.2024.1.7.195Keywords: Ivandenki; women’s ritual processions; ritual songs; ethno- choreology; comparison; ritual props; analysis; religious aspects; contemporary aspects;Abstract:The subject of research on this topic was the Ivanden ritual processions and ritual singing in the Gorna Prespa ethnic area. By using special research techniques […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":1501,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-1815","page","type-page","status-publish","hentry"],"yoast_head":"\nANALYTICAL REVIEW OF IVANDENKI \u2013 WOMEN'S RITUAL PROCESSIONS FROM GORNA PRESPA | Cercet\u0103ri \u0219i studii<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cs-embe.ro\/en\/nr-7-1-2024\/analytical-review-of-ivandenki-womens-ritual-processions-from-gorna-prespa\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"ANALYTICAL REVIEW OF IVANDENKI \u2013 WOMEN'S RITUAL PROCESSIONS FROM GORNA PRESPA | Cercet\u0103ri \u0219i studii\" \/>\n<meta property=\"og:url\" content=\"https:\/\/cs-embe.ro\/en\/nr-7-1-2024\/analytical-review-of-ivandenki-womens-ritual-processions-from-gorna-prespa\/\" \/>\n<meta property=\"og:site_name\" content=\"Cercet\u0103ri \u0219i studii\" \/>\n<meta property=\"article:modified_time\" content=\"2025-06-03T20:47:43+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/cs-embe.ro\/wp-content\/uploads\/2023\/03\/logo-acb-negru-3-limbi_var1-1.png\" \/>\n\t<meta property=\"og:image:width\" content=\"340\" \/>\n\t<meta property=\"og:image:height\" content=\"183\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/cs-embe.ro\/en\/nr-7-1-2024\/analytical-review-of-ivandenki-womens-ritual-processions-from-gorna-prespa\/\",\"url\":\"https:\/\/cs-embe.ro\/en\/nr-7-1-2024\/analytical-review-of-ivandenki-womens-ritual-processions-from-gorna-prespa\/\",\"name\":\"ANALYTICAL REVIEW OF IVANDENKI \u2013 WOMEN'S RITUAL PROCESSIONS FROM GORNA PRESPA | Cercet\u0103ri \u0219i studii\",\"isPartOf\":{\"@id\":\"https:\/\/cs-embe.ro\/#website\"},\"datePublished\":\"2025-04-11T21:16:53+00:00\",\"dateModified\":\"2025-06-03T20:47:43+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/cs-embe.ro\/en\/nr-7-1-2024\/analytical-review-of-ivandenki-womens-ritual-processions-from-gorna-prespa\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/cs-embe.ro\/en\/nr-7-1-2024\/analytical-review-of-ivandenki-womens-ritual-processions-from-gorna-prespa\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/cs-embe.ro\/en\/nr-7-1-2024\/analytical-review-of-ivandenki-womens-ritual-processions-from-gorna-prespa\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/cs-embe.ro\/en\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Vol. 5, No. 7 \/ 2024\",\"item\":\"https:\/\/cs-embe.ro\/en\/nr-7-1-2024\/\"},{\"@type\":\"ListItem\",\"position\":3,\"name\":\"ANALYTICAL REVIEW OF IVANDENKI \u2013 WOMEN’S RITUAL PROCESSIONS FROM GORNA PRESPA\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/cs-embe.ro\/#website\",\"url\":\"https:\/\/cs-embe.ro\/\",\"name\":\"Cercet\u0103ri \u0219i studii. 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