{"id":1818,"date":"2025-04-11T22:49:24","date_gmt":"2025-04-11T20:49:24","guid":{"rendered":"https:\/\/cs-embe.ro\/nr-7-1-2023\/ethnochoreological-aspects-of-petrino-village-according-to-cveta-gelevska\/"},"modified":"2025-06-03T22:49:12","modified_gmt":"2025-06-03T20:49:12","slug":"ethnochoreological-aspects-of-petrino-village-according-to-cveta-gelevska","status":"publish","type":"page","link":"https:\/\/cs-embe.ro\/en\/nr-7-1-2024\/ethnochoreological-aspects-of-petrino-village-according-to-cveta-gelevska\/","title":{"rendered":"ETHNOCHOREOLOGICAL ASPECTS OF PETRINO VILLAGE ACCORDING TO CVETA GELEVSKA"},"content":{"rendered":"

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Ljupka STEFANOVSKA:<\/strong> ETHNOCHOREOLOGICAL ASPECTS OF PETRINO VILLAGE ACCORDING TO CVETA GELEVSKA<\/p>\n

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DOI: 10.63702\/csembe.2024.1.7.133<\/strong><\/p>\n

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Keywords: <\/strong>Ritual processions; classification; ethnocoreology; ritual props; masked processions; rusalii, godfathers;<\/p>\n

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Abstract:
<\/strong>In this paper, through the statements of our interlocutor Cveta Gelevska, born in 1932, we will learn more about the ethno-coreological characteristics of the repertoire in the village of Petrino, which belongs to the Gorna Prespa ethnic area. We will present a clear picture of occasions, places and space for play, as well as in
general about the dance tradition in the village,
where dancing songs have a special place. According to our interlocutor, in the past, dancing songs were divided into men’s and women’s, namely, dancing songs that were sung and played only by men holding each other’s shoulders, and women’s songs, which were sung and played by women holding hands lowered down. When we speak about the dance pattern, according to the statement of our interlocutor, we conclude that the men played a simple dance pattern, of the Lesnoto (Easy dance) dance type, while the women had a slightly more complex dance pattern when performing dance songs. Musical accompaniment in the past was a clarinet and a drum, as our interlocutor statement.<\/p>\n

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References:
<\/strong>– \u0408\u0430\u043d\u0435\u0432\u0441\u043a\u0438, \u0412. (2013). \u0415\u0442\u043d\u043e\u043a\u043e\u0440\u0435\u043e\u043b\u043e\u0448\u043a\u0438 \u043a\u0430\u0440\u0430\u043a\u0442\u0435\u0440\u0438\u0441\u0442\u0438\u043a\u0438 \u043d\u0430 \u043c\u0430\u043a\u0435\u0434\u043e\u043d\u0441\u043a\u0438\u0442\u0435 \u043d\u0430\u0440\u043e\u0434\u043d\u0438 \u043e\u0440\u0430 (\u043f\u043e \u0438\u0437\u0431\u0440\u0430\u043d\u0438 \u043f\u0440\u0438\u043c\u0435\u0440\u0438). \u0421\u043a\u043e\u043f\u0458\u0435, \u0420.\u041c\u0430\u043a\u0435\u0434\u043e\u043d\u0438\u0458\u0430. \u0418\u043d\u0441\u0442\u0438\u0442\u0443\u0442 \u0437\u0430 \u0444\u043e\u043b\u043a\u043b\u043e\u0440 \u201e\u041c\u0430\u0440\u043a\u043e \u0426\u0435\u043f\u0435\u043d\u043a\u043e\u0432\u201c.
– \u0412\u0435\u043b\u0438\u0447\u043a\u043e\u0432\u0441\u043a\u0430, \u0420\u043e\u0434\u043d\u0430, (2016). \u041e\u0440\u043e\u0432\u043e\u0434\u043d\u0430\u0442\u0430 \u043f\u0435\u0458\u0430\u0447\u043a\u0430 \u0442\u0440\u0430\u0434\u0438\u0446\u0438\u0458\u0430 \u0432\u043e \u041a\u0440\u0430\u0442\u043e\u0432\u0441\u043a\u0438\u043e\u0442 \u0440\u0435\u0433\u0438\u043e\u043d, \u0417\u0431\u043e\u0440\u043d\u0438\u043a \u043d\u0430 \u0442\u0440\u0443\u0434\u043e\u0432\u0438 VIII, \u0418\u043b\u0438\u043d\u0434\u0435\u043d\u0441\u043a\u0438 \u0434\u0435\u043d\u043e\u0432\u0438 – \u041d\u0423\u0426\u041a \u2013 \u0411\u0438\u0442\u043e\u043b\u0430, \u0441\u0442\u0440. 8 \u2013 16.
– \u0414\u0438\u043c\u043e\u0432\u0441\u043a\u0438, \u041c\u0438\u0445\u0430\u0438\u043b\u043e, (1996). \u041d\u0430\u0440\u043e\u0434\u043d\u0438\u0442\u0435 \u043e\u0440\u0430 \u0438 \u043e\u0440\u0441\u043a\u0430\u0442\u0430 \u0442\u0440\u0430\u0434\u0438\u0446\u0438\u0458\u0430, \u0415\u0442\u043d\u043e\u043b\u043e\u0433\u0438\u0458\u0430 \u043d\u0430 \u043c\u0430\u043a\u0435\u0434\u043e\u043d\u0446\u0438\u0442\u0435, \u0421\u043a\u043e\u043f\u0458\u0435, \u0441\u0442\u0440. 283 \u2013 285.
– \u0408\u0430\u043d\u0435\u0432\u0441\u043a\u0430, \u0422\u0438\u0458\u0430\u043d\u0430, (2022). \u0415\u0442\u043d\u043e\u043a\u043e\u0440\u0435\u043e\u043b\u043e\u0448\u043a\u043e \u043a\u0430\u0440\u0430\u043a\u0442\u0435\u0440\u0438\u0441\u0442\u0438\u043a\u0438 \u043d\u0430 o\u0440\u043e\u0432\u043e\u0434\u043d\u0438\u0442\u0435 \u043f\u0435\u0441\u043d\u0438 \u043e\u0434 \u0414\u0443\u0440\u0430\u0447\u043a\u0430 \u0420\u0435\u043a\u0430, \u0417\u0431\u043e\u0440\u043d\u0438\u043a \u043d\u0430 \u0442\u0440\u0443\u0434\u043e\u0432\u0438 XIV, \u0418\u043b\u0438\u043d\u0434\u0435\u043d\u0441\u043a\u0438 \u0434\u0435\u043d\u043e\u0432\u0438, \u041d\u0423 \u0426\u0435\u043d\u0442\u0430\u0440 \u0437\u0430 \u043a\u0443\u043b\u0442\u0443\u0440\u0430 \u2013 \u0411\u0438\u0442\u043e\u043b\u0430, \u0411\u0438\u0442\u043e\u043b\u0430, \u0441\u0442\u0440. 77 \u2013 91.
– \u0408\u0430\u043d\u0435\u0432\u0441\u043a\u0438, \u0412\u043b\u0430\u0434\u0438\u043c\u0438\u0440, (2010). \u0413\u043b\u0430\u0432\u043d\u0438 \u043a\u0430\u0440\u0430\u043a\u0442\u0435\u0440\u0438\u0441\u0442\u0438\u043a\u0438 \u043d\u0430 \u0438\u0433\u0440\u0430\u043e\u0440\u043d\u0438\u0442\u0435 \u043f\u043e\u0434\u0440\u0430\u0447\u0458\u0430, \u0417\u0431\u043e\u0440\u043d\u0438\u043a \u043d\u0430 \u0442\u0440\u0443\u0434\u043e\u0432\u0438 II, \u0418\u043b\u0438\u043d\u0434\u0435\u043d\u0441\u043a\u0438 \u0434\u0435\u043d\u043e\u0432\u0438, \u041d\u0423 \u0426\u0435\u043d\u0442\u0430\u0440 \u0437\u0430 \u043a\u0443\u043b\u0442\u0443\u0440\u0430 \u2013 \u0411\u0438\u0442\u043e\u043b\u0430, \u0411\u0438\u0442\u043e\u043b\u0430, \u0441\u0442\u0440. 3 \u2013 9.
– \u0408\u0430\u043d\u0435\u0432\u0441\u043a\u0438, \u0412\u043b\u0430\u0434\u0438\u043c\u0438\u0440, (2012). \u041f\u043e\u0434\u0433\u043e\u0442\u043e\u0432\u043a\u0430 \u043d\u0430 \u0441\u0446\u0435\u043d\u0441\u043a\u0430 \u0430\u0434\u0430\u043f\u0442\u0430\u0446\u0438\u0458\u0430, \u0417\u0431\u043e\u0440\u043d\u0438\u043a \u043d\u0430 \u0442\u0440\u0443\u0434\u043e\u0432\u0438 IV, \u0418\u043b\u0438\u043d\u0434\u0435\u043d\u0441\u043a\u0438 \u0434\u0435\u043d\u043e\u0432\u0438, \u041d\u0423 \u0426\u0435\u043d\u0442\u0430\u0440 \u0437\u0430 \u043a\u0443\u043b\u0442\u0443\u0440\u0430, \u0411\u0438\u0442\u043e\u043b\u0430, \u0441\u0442\u0440. 4 \u2013 9.
– \u0408\u0430\u043d\u0435\u0432\u0441\u043a\u0438, \u0412\u043b\u0430\u0434\u0438\u043c\u0438\u0440, (2019). \u0415\u0442\u043d\u043e\u043a\u043e\u0440\u0435\u043e\u043b\u043e\u0448\u043a\u0430 \u043a\u043b\u0430\u0441\u0438\u0444\u0438\u043a\u0430\u0438\u0458\u0430 \u043d\u0430 \u043e\u0440\u0430\u0442\u0430 \u0432\u043e \u041c\u0430\u043a\u0435\u0434\u043e\u043d\u0438\u0458\u0430, \u0417\u0434\u0440\u0443\u0436\u0435\u043d\u0438\u0435 \u043d\u0430 \u0435\u0442\u043d\u043e\u043a\u043e\u0440\u0435\u043e\u043b\u043e\u0437\u0438 \u043d\u0430 \u041c\u0430\u043a\u0435\u0434\u043e\u043d\u0438\u0458\u0430, \u0421\u043a\u043e\u043f\u0458\u0435.
– \u0408\u0430\u043d\u043a\u043e\u0432\u0438\u0127, \u0409\u0443\u0431\u0438\u0446\u0430, (1940). \u041d\u0430\u0440\u043e\u0434\u043d\u0435 \u0438\u0433\u0440\u0435 \u0443 \u041a\u0438\u0447\u0435\u0432\u0443 \u0438 \u043e\u043a\u043e\u043b\u0438\u043d\u0438, \u0413\u043b\u0430\u0441\u043d\u0438\u043a \u0435\u0442\u043d\u043e\u0433\u0440\u0430\u0444\u0441\u043a\u043e\u0433 \u043c\u0443\u0437\u0435\u0458\u0430 \u0443 \u0411\u0435\u043e\u0433\u0440\u0430\u0434\u0443, XV, \u0411\u0435\u043e\u0433\u0440\u0430\u0434, \u0441\u0442\u0440. 104 \u2013 111.
– \u0408\u0430\u043d\u043a\u043e\u0432\u0438\u0127, \u0409\u0443\u0431\u0438\u0446\u0430; \u0414\u0430\u043d\u0438\u0446\u0430, (1948). \u041d\u0430\u0440\u043e\u0434\u043d\u0435 \u0438\u0433\u0440\u0435, \u043a\u045a\u0438\u0433\u0430 IV, \u0411\u0435\u043e\u0433\u0440\u0430\u0434.
– \u041d\u0438\u043a\u043e\u043b\u043e\u0432\u0441\u043a\u0438, \u0425\u0440\u0438\u0441\u0442\u0438\u0458\u0430\u043d, (2021). \u0425\u0440\u043e\u043d\u043e\u043b\u043e\u0448\u043a\u0438 \u043f\u0440\u0438\u043a\u0430\u0437 \u043d\u0430 \u043c\u0435\u0441\u0442\u0430 \u0438 \u043f\u0440\u043e\u0441\u0442\u043e\u0440 \u0437\u0430 \u0438\u0433\u0440\u0430\u045a\u0435 \u0432\u043e \u041c\u0430\u043a\u0435\u0434\u043e\u043d\u0438\u0458\u0430, \u0417\u0431\u043e\u0440\u043d\u0438\u043a \u043d\u0430 \u0442\u0440\u0443\u0434\u043e\u0432\u0438 XIII, \u0418\u043b\u0438\u043d\u0434\u0435\u043d\u0441\u043a\u0438 \u0434\u0435\u043d\u043e\u0432\u0438, \u041d\u0423 \u0426\u0435\u043d\u0442\u0430\u0440 \u0437\u0430 \u043a\u0443\u043b\u0442\u0443\u0440\u0430 \u2013 \u0411\u0438\u0442\u043e\u043b\u0430, \u0411\u0438\u0442\u043e\u043b\u0430, \u0441\u0442\u0440. 25 \u2013 35.
– \u041f\u0440\u043e\u043b\u0435, \u0421\u0438\u043b\u0432\u0435\u0441\u0442\u0435\u0440, (2023). \u0421\u0442\u0438\u043b\u0441\u043a\u0438 \u043a\u0430\u0440\u0430\u043a\u0442\u0435\u0440\u0438\u0441\u0442\u0438\u043a\u0438 \u043d\u0430 \u043e\u0440\u043e\u0432\u043e\u0434\u0435\u0446\u043e\u0442 \u0432\u043e \u0411\u0440\u0441\u0458\u0430\u0447\u043a\u0430\u0442\u0430 \u0435\u0442\u043d\u043e\u0433\u0440\u0430\u0444\u0441\u043a\u0430 \u0446\u0435\u043b\u0438\u043d\u0430, \u0417\u0431\u043e\u0440\u043d\u0438\u043a \u043d\u0430 \u0442\u0440\u0443\u0434\u043e\u0432\u0438 XV, \u0418\u043b\u0438\u043d\u0434\u0435\u043d\u0441\u043a\u0438 \u0434\u0435\u043d\u043e\u0432\u0438, \u041d\u0423 \u0426\u0435\u043d\u0442\u0430\u0440 \u0437\u0430 \u043a\u0443\u043b\u0442\u0443\u0440\u0430 \u2013 \u0411\u0438\u0442\u043e\u043b\u0430, \u0441\u0442\u0440. 69 – 73.
– \u0421\u0442\u0435\u0444\u0430\u043d\u043e\u0432\u0441\u043a\u0430, \u0409\u0443\u043f\u043a\u0430, (2018). \u0416\u0435\u043d\u0430\u0442\u0430 \u0432\u043e \u043e\u0440\u043e\u0442\u043e \u043a\u0430\u0458 \u041c\u0438\u0458\u0430\u0446\u0438\u0442\u0435, \u0411\u0440\u0441\u0458\u0430\u0446\u0438\u0442\u0435 \u0438 \u0428\u043e\u043f\u0438\u0442\u0435, \u0417\u0431\u043e\u0440\u043d\u0438\u043a \u043d\u0430 \u0442\u0440\u0443\u0434\u043e\u0432\u0438 X, \u0418\u043b\u0438\u043d\u0434\u0435\u043d\u0441\u043a\u0438 \u0434\u0435\u043d\u043e\u0432\u0438 \u2013 \u041d\u0423 \u0426\u0435\u043d\u0442\u0430\u0440 \u0437\u0430 \u043a\u0443\u043b\u0442\u0443\u0440\u0430 \u2013 \u0411\u0438\u0442\u043e\u043b\u0430, \u0411\u0438\u0442\u043e\u043b\u0430, \u0441\u0442\u0440. 54 \u2013 60.
– \u0417\u0434\u0440\u0430\u0432\u0435\u0432, \u0403\u043e\u0440\u0453\u0438, (1996). \u041c\u0430\u043a\u0435\u0434\u043e\u043d\u0441\u043a\u0438 \u043d\u0430\u0440\u043e\u0434\u043d\u0438 \u043d\u043e\u0441\u0438\u0438 1, \u041c\u0430\u0442\u0438\u0446\u0430 \u043c\u0430\u043a\u0435\u0434\u043e\u043d\u0441\u043a\u0430, \u0421\u043a\u043e\u043f\u0458\u0435.<\/p>\n

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Ljupka STEFANOVSKA: ETHNOCHOREOLOGICAL ASPECTS OF PETRINO VILLAGE ACCORDING TO CVETA GELEVSKADOI: 10.63702\/csembe.2024.1.7.133Keywords: Ritual processions; classification; ethnocoreology; ritual props; masked processions; rusalii, godfathers;Abstract:In this paper, through the statements of our interlocutor Cveta Gelevska, born in 1932, we will learn more about the ethno-coreological characteristics of the repertoire in the village of Petrino, which belongs to the […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":1501,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-1818","page","type-page","status-publish","hentry"],"yoast_head":"\nETHNOCHOREOLOGICAL ASPECTS OF PETRINO VILLAGE ACCORDING TO CVETA GELEVSKA | Cercet\u0103ri \u0219i studii<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cs-embe.ro\/en\/nr-7-1-2024\/ethnochoreological-aspects-of-petrino-village-according-to-cveta-gelevska\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"ETHNOCHOREOLOGICAL ASPECTS OF PETRINO VILLAGE ACCORDING TO CVETA GELEVSKA | Cercet\u0103ri \u0219i studii\" \/>\n<meta property=\"og:url\" content=\"https:\/\/cs-embe.ro\/en\/nr-7-1-2024\/ethnochoreological-aspects-of-petrino-village-according-to-cveta-gelevska\/\" \/>\n<meta property=\"og:site_name\" content=\"Cercet\u0103ri \u0219i studii\" \/>\n<meta property=\"article:modified_time\" content=\"2025-06-03T20:49:12+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/cs-embe.ro\/wp-content\/uploads\/2023\/03\/logo-acb-negru-3-limbi_var1-1.png\" \/>\n\t<meta property=\"og:image:width\" content=\"340\" \/>\n\t<meta property=\"og:image:height\" content=\"183\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/cs-embe.ro\/en\/nr-7-1-2024\/ethnochoreological-aspects-of-petrino-village-according-to-cveta-gelevska\/\",\"url\":\"https:\/\/cs-embe.ro\/en\/nr-7-1-2024\/ethnochoreological-aspects-of-petrino-village-according-to-cveta-gelevska\/\",\"name\":\"ETHNOCHOREOLOGICAL ASPECTS OF PETRINO VILLAGE ACCORDING TO CVETA GELEVSKA | Cercet\u0103ri \u0219i studii\",\"isPartOf\":{\"@id\":\"https:\/\/cs-embe.ro\/#website\"},\"datePublished\":\"2025-04-11T20:49:24+00:00\",\"dateModified\":\"2025-06-03T20:49:12+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/cs-embe.ro\/en\/nr-7-1-2024\/ethnochoreological-aspects-of-petrino-village-according-to-cveta-gelevska\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/cs-embe.ro\/en\/nr-7-1-2024\/ethnochoreological-aspects-of-petrino-village-according-to-cveta-gelevska\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/cs-embe.ro\/en\/nr-7-1-2024\/ethnochoreological-aspects-of-petrino-village-according-to-cveta-gelevska\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/cs-embe.ro\/en\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Vol. 5, No. 7 \/ 2024\",\"item\":\"https:\/\/cs-embe.ro\/en\/nr-7-1-2024\/\"},{\"@type\":\"ListItem\",\"position\":3,\"name\":\"ETHNOCHOREOLOGICAL ASPECTS OF PETRINO VILLAGE ACCORDING TO CVETA GELEVSKA\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/cs-embe.ro\/#website\",\"url\":\"https:\/\/cs-embe.ro\/\",\"name\":\"Cercet\u0103ri \u0219i studii. 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