{"id":1822,"date":"2025-04-11T22:44:37","date_gmt":"2025-04-11T20:44:37","guid":{"rendered":"https:\/\/cs-embe.ro\/nr-7-1-2023\/overview-of-the-dance-repertoire-of-pomorisje-from-the-middle-of-the-19th-century-until-today\/"},"modified":"2025-06-03T22:50:35","modified_gmt":"2025-06-03T20:50:35","slug":"overview-of-the-dance-repertoire-of-pomorisje-from-the-middle-of-the-19th-century-until-today","status":"publish","type":"page","link":"https:\/\/cs-embe.ro\/en\/nr-7-1-2024\/overview-of-the-dance-repertoire-of-pomorisje-from-the-middle-of-the-19th-century-until-today\/","title":{"rendered":"OVERVIEW OF THE DANCE REPERTOIRE OF POMORI\u0160JE (FROM THE MIDDLE OF THE 19TH CENTURY UNTIL TODAY)"},"content":{"rendered":"

[et_pb_section fb_built=”1″ _builder_version=”4.21.0″ _module_preset=”default” background_enable_color=”off” background_image=”http:\/\/cs-embe.ro\/wp-content\/uploads\/2023\/03\/paper.jpg” custom_padding=”||0px||false|false” animation_style=”fade” global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.27.4″ _module_preset=”default” custom_padding=”||80px||false|false” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n

Igor POPOV:<\/strong> OVERVIEW OF THE DANCE REPERTOIRE OF POMORI\u0160JE (FROM THE MIDDLE OF THE 19TH CENTURY UNTIL TODAY)<\/p>\n

[\/et_pb_text][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n

DOI: 10.63702\/csembe.2024.1.7.119<\/strong><\/p>\n

[\/et_pb_text][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n

Keywords: <\/strong>Pomori\u0161je, Serbian traditional dance, Etnokamp, Research, Dance repertoire;<\/p>\n

[\/et_pb_text][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n

Abstract:
<\/strong>This paper will present the dancing repertoire of Serbs in Pomori\u0161je from the middle of the 19th century to the present day. The data, crucially collected within the rigorous Ethnocamp – Study research of the musical traditional folklore of Banat, and a small amount of literature that deals with this topic, form the basis of this study. ABSTRACT This paper will present the dancing repertoire of Serbs in Pomori\u0161je from the middle of the 19th century to the present day. The data, crucially collected within the rigorous Ethnocamp – Study research of the musical traditional folklore of Banat, and a small amount of literature that deals with this topic, form the basis of this study. The first part of the paper is devoted to the material collected from the literature. In contrast, the second part presents the results of modern, systematic field research, permanently realized within Kikinda\u2019s Ethnocamp.<\/p>\n

The paper meticulously follows the chronological order of the research findings, starting with the oldest, the description of the dance made by the officer Stanislav \u0160umarski in 1846. It then moves on to the precious memories and descriptions of the Serbian kolo, by Imre Palu\u0111ai from 1855. A detailed description of the dance was presented by Antal Had\u017ei\u0107, from 1891; as well as details from Uro\u0161 Predi\u0107’s painting, Srpsko kolo, from 1890, which is the only visual representation of dance in this area from that period. The mention of Serbian dances in Vojvodina by historian Du\u0161an J. Popovi\u0107, is also significant, as well as an exceptional and extensive description of Serbian dances from the Arad County by I\u0161tvan M. Kolarov from 1912, which represents a source of particular importance. Sava Ili\u0107 and Tihomir Vuji\u010di\u0107 left us information on the names of dances in the Romanian and Hungarian parts of the Pomori\u0161je (middle of the 20th century) as well as musical notations of the same dances. I would especially single out the published scientific study by Dr. Laszlo Felfeldi (2003), which is an exceptional contribution to the research and preservation of the dance heritage of the Serbs in the Hungarian Pomori\u0161je Region.<\/p>\n

[\/et_pb_text][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n

References:
<\/strong>– \u0412\u0443\u0458\u0438\u0447\u0438\u045b, \u0422. (1978). \u041c\u0443\u0437\u0438\u0447\u043a\u0435 \u0442\u0440\u0430\u0434\u0438\u0446\u0438\u0458\u0435 \u0458\u0443\u0436\u043d\u0438\u0445 \u0421\u043b\u043e\u0432\u0435\u043d\u0430 \u0443 \u041c\u0430\u0452\u0430\u0440\u0441\u043a\u043e\u0458. \u0411\u0443\u0434\u0438\u043c\u043f\u0435\u0448\u0442\u0430, \u041c\u0430\u0452\u0430\u0440\u0441\u043a\u0430: \u041f\u0440\u0435\u0434\u0443\u0437\u0435\u045b\u0435 \u0437\u0430 \u0438\u0437\u0434\u0430\u0432\u0430\u045a\u0435 \u0443\u045f\u0431\u0435\u043d\u0438\u043a\u0430
– \u0414\u0435\u0458\u0430\u043d\u0430\u0446, \u0414. (2001). \u041a\u0438\u043a\u0438\u043d\u0434\u0430 \u0438 \u041f\u043e\u043c\u043e\u0440\u0438\u0448\u0458\u0435. \u041a\u0438\u043a\u0438\u043d\u0434\u0430, \u0421\u0440\u0431\u0438\u0458\u0430: \u0418\u0441\u0442\u043e\u0440\u0438\u0458\u0441\u043a\u043e \u0437\u0430\u0432\u0438\u0447\u0430\u0458\u043d\u043e \u0434\u0440\u0443\u0448\u0442\u0432\u043e \u201e\u041a\u0438\u043d\u0452\u0430\u201c
– \u0414\u0435\u0458\u0430\u043d\u0430\u0446, \u0414. (2008). \u0411\u043e\u0436\u0438\u045b\u043d\u0435 \u043e\u0431\u0440\u0435\u0434\u043d\u0435 \u043f\u043e\u0432\u043e\u0440\u043a\u0435 \u043a\u043e\u0434 \u043f\u043e\u043c\u043e\u0440\u0438\u0448\u043a\u0438\u0445 \u0421\u0440\u0431\u0430. \u0410\u0440\u0430\u0434 \u043a\u0440\u043e\u0437 \u0432\u0440\u0435\u043c\u0435 9. \u0422\u0435\u043c\u0438\u0448\u0432\u0430\u0440, \u0420\u0443\u043c\u0443\u043d\u0438\u0458\u0430: \u0421\u0430\u0432\u0435\u0437 \u0421\u0440\u0431\u0430 \u0443 \u0420\u0443\u043c\u0443\u043d\u0438\u0458\u0438
– \u0418\u043b\u0438\u045b, \u041b. \u0421. (2006). \u041c\u0443\u0437\u0438\u0447\u043a\u043e \u043d\u0430\u0441\u043b\u0435\u0452\u0435 \u0421\u0440\u0431\u0430, \u0428\u043e\u043a\u0430\u0446\u0430 \u0438 \u041a\u0430\u0440\u0430\u0448\u0435\u0432\u0430\u0446\u0430 \u0443 \u0420\u0443\u043c\u0443\u043d\u0438\u0458\u0438. \u041d\u043e\u0432\u0438 \u0421\u0430\u0434, \u0421\u0440\u0431\u0438\u0458\u0430: \u041c\u0430\u0442\u0438\u0446\u0430 \u0441\u0440\u043f\u0441\u043a\u0430
– \u041c\u0438\u043b\u043e\u0458\u0435\u0432\u0438\u045b, \u0421. \u041c. (1869). \u041f\u0435\u0441\u043c\u0435 \u0438 \u043e\u0431\u0438\u0447\u0430\u0458\u0438 \u0443\u043a\u0443\u043f\u043d\u043e\u0433 \u043d\u0430\u0440\u043e\u0434\u0430 \u0441\u0440\u0431\u0441\u043a\u043e\u0433, \u043a\u045a\u0438\u0433\u0430 \u043f\u0440\u0432\u0430. \u0411\u0435\u043e\u0433\u0440\u0430\u0434, \u0421\u0440\u0431\u0438\u0458\u0430: \u0414\u0440\u0436\u0430\u0432\u043d\u0430 \u0448\u0442\u0430\u043c\u043f\u0430\u0440\u0438\u0458\u0430
– \u041c\u043b\u0430\u0434\u0435\u043d\u043e\u0432\u0438\u045b, \u041e. (1973). \u041a\u043e\u043b\u043e \u0443 \u0458\u0443\u0436\u043d\u0438\u0445 \u0421\u043b\u043e\u0432\u0435\u043d\u0430. \u0411\u0435\u043e\u0433\u0440\u0430\u0434, \u0421\u0440\u0431\u0438\u0458\u0430: \u0415\u0442\u043d\u043e\u0433\u0440\u0430\u0444\u0441\u043a\u0438 \u0438\u043d\u0441\u0442\u0438\u0442\u0443\u0442 \u0421\u0410\u041d\u0423
– \u0422\u0430\u0442\u0430\u0440\u0438\u045b, \u041c. (2009). \u041d\u0430\u0440\u043e\u0434\u043d\u0435 \u0438\u0433\u0440\u0435 \u0421\u0440\u0431\u0430 \u0438\u0437 \u0420\u0443\u043c\u0443\u043d\u0438\u0458\u0435, \u0426\u0440\u043d\u0435 \u0442\u0440\u0430\u0432\u0435 \u0438 \u0411\u0435\u043b\u0435 \u043a\u0440\u0430\u0458\u0438\u043d\u0435, \u0441\u0432\u0435\u0441\u043a\u0430 31. \u0411\u0435\u043e\u0433\u0440\u0430\u0434, \u0421\u0440\u0431\u0438\u0458\u0430: \u0426\u0435\u043d\u0442\u0430\u0440 \u0437\u0430 \u043f\u0440\u043e\u0443\u0447\u0430\u0432\u0430\u045a\u0435 \u043d\u0430\u0440\u043e\u0434\u043d\u0438\u0445 \u0438\u0433\u0430\u0440\u0430 \u0421\u0440\u0431\u0438\u0458\u0435
– \u041f\u043e\u043f\u043e\u0432, \u0418. (2022). \u041e\u0431\u0438\u0447\u0430\u0458\u0438 \u0438 \u0438\u0433\u0440\u0435 \u0421\u0440\u0431\u0430 \u0443 \u041f\u043e\u043c\u043e\u0440\u0438\u0448\u0458\u0443. \u0422\u0435\u043c\u0438\u0448\u0432\u0430\u0440, \u0420\u0443\u043c\u0443\u043d\u0438\u0458\u0430: \u0421\u0430\u0432\u0435\u0437 \u0421\u0440\u0431\u0430 \u0443 \u0420\u0443\u043c\u0443\u043d\u0438\u0458\u0438
– \u041f\u043e\u043f\u043e\u0432\u0438\u045b, \u0414. (1990). \u0421\u0440\u0431\u0438 \u0443 \u0412\u043e\u0458\u0432\u043e\u0434\u0438\u043d\u0438. \u041d\u043e\u0432\u0438 \u0421\u0430\u0434, \u0421\u0440\u0431\u0438\u0458\u0430: \u041c\u0430\u0442\u0438\u0446\u0430 \u0441\u0440\u043f\u0441\u043a\u0430
– \u0420\u0430\u043a\u043e\u0447\u0435\u0432\u0438\u045b, \u0421. (2011). \u0418\u0433\u0440\u0435 \u043f\u043b\u0435\u0441\u043d\u0438\u0445 \u0441\u0442\u0440\u0443\u043a\u0442\u0443\u0440\u0430, \u0411\u0435\u043e\u0433\u0440\u0430\u0434, \u0421\u0440\u0431\u0438\u0458\u0430: \u0424\u0430\u043a\u0443\u043b\u0442\u0435\u0442 \u043c\u0443\u0437\u0438\u0447\u043a\u0435 \u0443\u043c\u0435\u0442\u043d\u043e\u0441\u0442\u0438
– \u0424\u0435\u043b\u0444\u0435\u043b\u0434\u0438, \u041b. (2003). \u041f\u043b\u0435\u0441\u043d\u0435 \u0442\u0440\u0430\u0434\u0438\u0446\u0438\u0458\u0435 \u0421\u0440\u0431\u0430 \u0443 \u041f\u043e\u043c\u043e\u0440\u0438\u0448\u0458\u0443, \u0411\u0443\u0434\u0438\u043c\u043f\u0435\u0448\u0442\u0430, \u041c\u0430\u0452\u0430\u0440\u0441\u043a\u0430: \u0421\u0430\u043c\u043e\u0443\u043f\u0440\u0430\u0432\u0430 \u0421\u0440\u0431\u0430 \u0443 \u041c\u0430\u0452\u0430\u0440\u0441\u043a\u043e\u0458
– \u0426\u0435\u0440\u043e\u0432\u0438\u045b, \u0409. (2000). \u0421\u0440\u0431\u0438 \u0443 \u0420\u0443\u043c\u0443\u043d\u0438\u0458\u0438, \u0422\u0435\u043c\u0438\u0448\u0432\u0430\u0440, \u0420\u0443\u043c\u0443\u043d\u0438\u0458\u0430: \u0421\u0430\u0432\u0435\u0437 \u0421\u0440\u0431\u0430 \u0443 \u0420\u0443\u043c\u0443\u043d\u0438\u0458\u0438<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.27.4″ _module_preset=”default” background_color=”#FFFFFF” custom_padding=”16px|16px|16px|16px|false|false” border_radii=”on|8px|8px|8px|8px” global_colors_info=”{}”][et_pb_button button_url=”https:\/\/cs-embe.ro\/wp-content\/uploads\/2025\/06\/7_10-Popov.pdf” button_text=”Articol PDF” _builder_version=”4.27.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″][\/et_pb_button][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n

Published:
<\/strong>15.07.2024<\/strong><\/p>\n

[\/et_pb_text][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” custom_margin=”||8px||false|false” custom_padding=”||||false|false” global_colors_info=”{}”]<\/p>\n

License:<\/strong><\/strong><\/p>\n

[\/et_pb_text][et_pb_image src=”https:\/\/cs-embe.ro\/wp-content\/uploads\/2025\/04\/CC_logomark2.svg” title_text=”CC_logomark2″ _builder_version=”4.27.4″ _module_preset=”default” max_width=”50%” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n

This work is licensed under a Creative Commons Attribution 4.0 International License.<\/span><\/a><\/p>\n

[\/et_pb_text][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n

This work is licensed under a CC BY Creative Commons Attribution 4.0 International License<\/a><\/span>, which permits any use, reproduction, distribution, self-archiving and citation of the work as long as the authors are credited. The complete bibliographical data of Symbolon<\/em> Journal must also be indicated, which you can find in the How to cite<\/em> section on this page. If possible, please also place a link leading to the original publication. Copyright of articles belongs to the authors.<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

Igor POPOV: OVERVIEW OF THE DANCE REPERTOIRE OF POMORI\u0160JE (FROM THE MIDDLE OF THE 19TH CENTURY UNTIL TODAY)DOI: 10.63702\/csembe.2024.1.7.119Keywords: Pomori\u0161je, Serbian traditional dance, Etnokamp, Research, Dance repertoire;Abstract:This paper will present the dancing repertoire of Serbs in Pomori\u0161je from the middle of the 19th century to the present day. The data, crucially collected within the rigorous […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":1501,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-1822","page","type-page","status-publish","hentry"],"yoast_head":"\nOVERVIEW OF THE DANCE REPERTOIRE OF POMORI\u0160JE (FROM THE MIDDLE OF THE 19TH CENTURY UNTIL TODAY) | Cercet\u0103ri \u0219i studii<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cs-embe.ro\/en\/nr-7-1-2024\/overview-of-the-dance-repertoire-of-pomorisje-from-the-middle-of-the-19th-century-until-today\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"OVERVIEW OF THE DANCE REPERTOIRE OF POMORI\u0160JE (FROM THE MIDDLE OF THE 19TH CENTURY UNTIL TODAY) | Cercet\u0103ri \u0219i studii\" \/>\n<meta property=\"og:url\" content=\"https:\/\/cs-embe.ro\/en\/nr-7-1-2024\/overview-of-the-dance-repertoire-of-pomorisje-from-the-middle-of-the-19th-century-until-today\/\" \/>\n<meta property=\"og:site_name\" content=\"Cercet\u0103ri \u0219i studii\" \/>\n<meta property=\"article:modified_time\" content=\"2025-06-03T20:50:35+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/cs-embe.ro\/wp-content\/uploads\/2023\/03\/logo-acb-negru-3-limbi_var1-1.png\" \/>\n\t<meta property=\"og:image:width\" content=\"340\" \/>\n\t<meta property=\"og:image:height\" content=\"183\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/cs-embe.ro\/en\/nr-7-1-2024\/overview-of-the-dance-repertoire-of-pomorisje-from-the-middle-of-the-19th-century-until-today\/\",\"url\":\"https:\/\/cs-embe.ro\/en\/nr-7-1-2024\/overview-of-the-dance-repertoire-of-pomorisje-from-the-middle-of-the-19th-century-until-today\/\",\"name\":\"OVERVIEW OF THE DANCE REPERTOIRE OF POMORI\u0160JE (FROM THE MIDDLE OF THE 19TH CENTURY UNTIL TODAY) | Cercet\u0103ri \u0219i studii\",\"isPartOf\":{\"@id\":\"https:\/\/cs-embe.ro\/#website\"},\"datePublished\":\"2025-04-11T20:44:37+00:00\",\"dateModified\":\"2025-06-03T20:50:35+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/cs-embe.ro\/en\/nr-7-1-2024\/overview-of-the-dance-repertoire-of-pomorisje-from-the-middle-of-the-19th-century-until-today\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/cs-embe.ro\/en\/nr-7-1-2024\/overview-of-the-dance-repertoire-of-pomorisje-from-the-middle-of-the-19th-century-until-today\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/cs-embe.ro\/en\/nr-7-1-2024\/overview-of-the-dance-repertoire-of-pomorisje-from-the-middle-of-the-19th-century-until-today\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/cs-embe.ro\/en\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Vol. 5, No. 7 \/ 2024\",\"item\":\"https:\/\/cs-embe.ro\/en\/nr-7-1-2024\/\"},{\"@type\":\"ListItem\",\"position\":3,\"name\":\"OVERVIEW OF THE DANCE REPERTOIRE OF POMORI\u0160JE (FROM THE MIDDLE OF THE 19TH CENTURY UNTIL TODAY)\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/cs-embe.ro\/#website\",\"url\":\"https:\/\/cs-embe.ro\/\",\"name\":\"Cercet\u0103ri \u0219i studii. Etno-muzicologie, bizantinologie \u0219i etnologie\",\"description\":\"Cercet\u0103ri \u0219i studii etno-muzicologice, bizantinologice \u0219i etnologice\",\"publisher\":{\"@id\":\"https:\/\/cs-embe.ro\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/cs-embe.ro\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/cs-embe.ro\/#organization\",\"name\":\"Asocia\u021bia pentru Cultur\u0103 Ban\u0103\u021bean\u0103\",\"url\":\"https:\/\/cs-embe.ro\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/cs-embe.ro\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/cs-embe.ro\/wp-content\/uploads\/2023\/03\/logo-acb-negru-3-limbi_var1-1.png\",\"contentUrl\":\"https:\/\/cs-embe.ro\/wp-content\/uploads\/2023\/03\/logo-acb-negru-3-limbi_var1-1.png\",\"width\":340,\"height\":183,\"caption\":\"Asocia\u021bia pentru Cultur\u0103 Ban\u0103\u021bean\u0103\"},\"image\":{\"@id\":\"https:\/\/cs-embe.ro\/#\/schema\/logo\/image\/\"}}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"OVERVIEW OF THE DANCE REPERTOIRE OF POMORI\u0160JE (FROM THE MIDDLE OF THE 19TH CENTURY UNTIL TODAY) | Cercet\u0103ri \u0219i studii","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/cs-embe.ro\/en\/nr-7-1-2024\/overview-of-the-dance-repertoire-of-pomorisje-from-the-middle-of-the-19th-century-until-today\/","og_locale":"en_US","og_type":"article","og_title":"OVERVIEW OF THE DANCE REPERTOIRE OF POMORI\u0160JE (FROM THE MIDDLE OF THE 19TH CENTURY UNTIL TODAY) | Cercet\u0103ri \u0219i studii","og_url":"https:\/\/cs-embe.ro\/en\/nr-7-1-2024\/overview-of-the-dance-repertoire-of-pomorisje-from-the-middle-of-the-19th-century-until-today\/","og_site_name":"Cercet\u0103ri \u0219i studii","article_modified_time":"2025-06-03T20:50:35+00:00","og_image":[{"width":340,"height":183,"url":"https:\/\/cs-embe.ro\/wp-content\/uploads\/2023\/03\/logo-acb-negru-3-limbi_var1-1.png","type":"image\/png"}],"twitter_card":"summary_large_image","schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/cs-embe.ro\/en\/nr-7-1-2024\/overview-of-the-dance-repertoire-of-pomorisje-from-the-middle-of-the-19th-century-until-today\/","url":"https:\/\/cs-embe.ro\/en\/nr-7-1-2024\/overview-of-the-dance-repertoire-of-pomorisje-from-the-middle-of-the-19th-century-until-today\/","name":"OVERVIEW OF THE DANCE REPERTOIRE OF POMORI\u0160JE (FROM THE MIDDLE OF THE 19TH CENTURY UNTIL TODAY) | Cercet\u0103ri \u0219i studii","isPartOf":{"@id":"https:\/\/cs-embe.ro\/#website"},"datePublished":"2025-04-11T20:44:37+00:00","dateModified":"2025-06-03T20:50:35+00:00","breadcrumb":{"@id":"https:\/\/cs-embe.ro\/en\/nr-7-1-2024\/overview-of-the-dance-repertoire-of-pomorisje-from-the-middle-of-the-19th-century-until-today\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/cs-embe.ro\/en\/nr-7-1-2024\/overview-of-the-dance-repertoire-of-pomorisje-from-the-middle-of-the-19th-century-until-today\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/cs-embe.ro\/en\/nr-7-1-2024\/overview-of-the-dance-repertoire-of-pomorisje-from-the-middle-of-the-19th-century-until-today\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/cs-embe.ro\/en\/"},{"@type":"ListItem","position":2,"name":"Vol. 5, No. 7 \/ 2024","item":"https:\/\/cs-embe.ro\/en\/nr-7-1-2024\/"},{"@type":"ListItem","position":3,"name":"OVERVIEW OF THE DANCE REPERTOIRE OF POMORI\u0160JE (FROM THE MIDDLE OF THE 19TH CENTURY UNTIL TODAY)"}]},{"@type":"WebSite","@id":"https:\/\/cs-embe.ro\/#website","url":"https:\/\/cs-embe.ro\/","name":"Cercet\u0103ri \u0219i studii. Etno-muzicologie, bizantinologie \u0219i etnologie","description":"Cercet\u0103ri \u0219i studii etno-muzicologice, bizantinologice \u0219i etnologice","publisher":{"@id":"https:\/\/cs-embe.ro\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/cs-embe.ro\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/cs-embe.ro\/#organization","name":"Asocia\u021bia pentru Cultur\u0103 Ban\u0103\u021bean\u0103","url":"https:\/\/cs-embe.ro\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/cs-embe.ro\/#\/schema\/logo\/image\/","url":"https:\/\/cs-embe.ro\/wp-content\/uploads\/2023\/03\/logo-acb-negru-3-limbi_var1-1.png","contentUrl":"https:\/\/cs-embe.ro\/wp-content\/uploads\/2023\/03\/logo-acb-negru-3-limbi_var1-1.png","width":340,"height":183,"caption":"Asocia\u021bia pentru Cultur\u0103 Ban\u0103\u021bean\u0103"},"image":{"@id":"https:\/\/cs-embe.ro\/#\/schema\/logo\/image\/"}}]}},"_links":{"self":[{"href":"https:\/\/cs-embe.ro\/en\/wp-json\/wp\/v2\/pages\/1822","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cs-embe.ro\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/cs-embe.ro\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/cs-embe.ro\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/cs-embe.ro\/en\/wp-json\/wp\/v2\/comments?post=1822"}],"version-history":[{"count":0,"href":"https:\/\/cs-embe.ro\/en\/wp-json\/wp\/v2\/pages\/1822\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/cs-embe.ro\/en\/wp-json\/wp\/v2\/pages\/1501"}],"wp:attachment":[{"href":"https:\/\/cs-embe.ro\/en\/wp-json\/wp\/v2\/media?parent=1822"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}