[et_pb_section fb_built=”1″ _builder_version=”4.21.0″ _module_preset=”default” background_enable_color=”off” background_image=”http:\/\/cs-embe.ro\/wp-content\/uploads\/2023\/03\/paper.jpg” custom_padding=”||0px||false|false” animation_style=”fade” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.27.4″ _module_preset=”default” custom_padding=”||80px||false|false” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”2_3″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_text _builder_version=”4.27.5″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”]<\/p>\n
Lucian Emil RO\u0218CA:<\/strong> Musical folklore of the Aromanians community in Albania \u2013 ethnomusicology research<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.27.5″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” theme_builder_area=”post_content” sticky_enabled=”0″]<\/p>\n DOI: 10.63702\/csembe.2025.1.8.05<\/strong><\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.27.5″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” theme_builder_area=”post_content” sticky_enabled=”0″]<\/p>\n Keywords:<\/strong> Research; Albania, Ethnomusicology; Particularities; Traditional;<\/span><\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”]<\/p>\n Abstract:<\/strong><\/p>\n THE SOUND RESTITUTION AND TRADITIONAL INTERPRE-TATIONS FROM THE ROMANIAN VILLAGE \u2013 represents an ambitious project, first started by me in 2023 and aims to present the common sonority of Romanian and Aromanian music. <\/span>The proposed approach was based on the research, evaluation and collection of traditional vocal and instrumental musical folklore representative of the Aromanian community in Albania. The trip was made possible by The Banat Culture Association in partnership with the \u2019\u2019Harriet Martineau\u2019\u2019 Foundation in Tirana and the Faculty of Music and Theater in Timi\u0219oara as an academic partner. The research represented, in a first stage, the identification, as far as possible, of vocal groups, traditional instrumental music, cultural diversity, and common musical particularities.<\/span><\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.27.5″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”]<\/p>\n References: 1. Datcu, I. (2006) Dic\u021bionarul etnologilor rom\u00e2ni, Bucure\u0219ti, Rom\u00e2nia: Editura Saeculum I.O. [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.27.4″ _module_preset=”default” background_color=”#FFFFFF” custom_padding=”16px|16px|16px|16px|false|false” border_radii=”on|8px|8px|8px|8px” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_button button_url=”https:\/\/cs-embe.ro\/wp-content\/uploads\/2025\/12\/CSEMBE-2025-5.pdf” button_text=”Articol PDF” _builder_version=”4.27.5″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” theme_builder_area=”post_content” sticky_enabled=”0″][\/et_pb_button][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”]<\/p>\n Published: [\/et_pb_text][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” custom_margin=”||8px||false|false” custom_padding=”||||false|false” global_colors_info=”{}” theme_builder_area=”post_content”]<\/p>\n License:<\/strong><\/strong><\/p>\n [\/et_pb_text][et_pb_image src=”https:\/\/cs-embe.ro\/wp-content\/uploads\/2025\/04\/CC_logomark2.svg” title_text=”CC_logomark2″ _builder_version=”4.27.4″ _module_preset=”default” max_width=”50%” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_image][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”]<\/p>\n This work is licensed under a Creative Commons Attribution 4.0 International License.<\/span><\/a><\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”]<\/p>\n
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<\/span>2. Marcu, G. (1958) C\u00eentecele polifonice arom\u00eene \u00een: Revista de Folclor, tomul 3, nr. 2,
<\/span>3. Marcu, G. (1968) Un sistem identic de execu\u021bie polifonic\u0103 a c\u00eentecelor populare, \u00eent\u00e2lnit la unele popoare din Peninsula Balcanic\u0103 \u00een: Revista de Etnografie \u0219i Folclor, tomul 13, nr. 6, Bucure\u0219ti, Rom\u00e2nia
<\/span>4. \u0162\u00e2rcomnicu, E. (2002) Identitate rom\u00e2neasc\u0103 sud-dun\u0103rean\u0103: Arom\u00e2nii din Dobrogea: s\u0103rb\u0103tori, obiceiuri, credin\u021be, cultur\u0103 \u0219i via\u021b\u0103 comunitar\u0103, Bucure\u0219ti, Rom\u00e2nia: Editura Etnologic\u0103<\/span><\/p>\n
<\/strong>01.11.2025<\/strong><\/p>\n