{"id":2286,"date":"2025-11-01T21:47:00","date_gmt":"2025-11-01T19:47:00","guid":{"rendered":"https:\/\/cs-embe.ro\/anastasija-zivkovic-stage-interpretation-of-the-wedding-ritual-study-case-of-falcon-song-and-choreodrama-700\/"},"modified":"2025-12-06T22:41:03","modified_gmt":"2025-12-06T20:41:03","slug":"nr-8-1-2025-08","status":"publish","type":"page","link":"https:\/\/cs-embe.ro\/en\/nr-8-1-2025-08\/","title":{"rendered":"Anastasija \u017dIVKOVI\u0106 – Stage interpretation of the wedding ritual: study case of Falcon Song and Choreodrama 700"},"content":{"rendered":"

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Anastasija \u017dIVKOVI\u0106: <\/strong>Stage interpretation of the wedding ritual: study case of Falcon Song and Choreodrama 700<\/p>\n

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DOI: 10.63702\/csembe.2025.1.8.08<\/strong><\/p>\n

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Keywords: <\/strong>Stage folk dance; Choreodrama; Wedding ritual; Ensemble \u201cKolo\u201c; Ensemble \u201cVenac\u201c;<\/span><\/p>\n

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Abstract:<\/strong><\/p>\n

Some of the first choreographies in the form of choreodrama interpreting traditional dance in Serbia emerged at the beginning of the 20th century driven by young female choreographers and visionaries, including Maga Magazinovi\u0107 (Obradovi\u0107 Ljubinkovi\u0107, 2016: 10). Choreographies of this form entered the repertoire of folk dance ensembles at the end of the 1980s, with Koreni by Radojica Kuzmanovi\u0107, being one of the first works, performed in 1989 by the National ensemble \u201cKolo\u201c (\u0414\u0438\u043c\u0438\u0442\u0440\u0438\u0458\u0435\u0432\u0438\u045b, 2022: 2). Choreodramas certanly represent a great production challenge, which is one of the reasons for their scarcity. <\/span>However, in 2022 two professional folk dance ensembles in Serbia presented their new works in this choreographic form. Ensemble<\/span>\u201cKolo\u201c introduced Falcon song (srb. Sokolova pesma), while Ensemble \u201cVenac\u201c(Gra\u010danica, Kosovo and Metohija) premiered the choreodrama 700. Though different in their backgrounds, some similarities can be seen. One of them is the final scene which in both choreographies interprets a wedding ritual. This paper aims to demonstrate, through the analysis of the mentioned segments, how the wedding ritual is represented in different ways. In this sense, an analysis of the kinetic-formal type, dance melody, and stage costume will show how the choice of compositional principles in working with heritage on stage is determined by the approach to culture and history.<\/span><\/p>\n

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References:
<\/strong><\/p>\n

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19. Baki\u0107, B. (2009). \u201eSvekrvino kolo\u201c. https:\/\/www.youtube.com\/watch?v=JCT5ndFHHcs (\u043f\u0440\u0438\u0441\u0442\u0443\u043f 18. 6. 2025)
20. \u0410\u043d\u0441\u0430\u043c\u0431\u043b \u043d\u0430\u0440\u043e\u0434\u043d\u0438\u0445 \u0438\u0433\u0430\u0440\u0430 \u0438 \u043f\u0435\u0441\u0430\u043c\u0430 \u0421\u0440\u0431\u0438\u0458\u0435 \u201e\u041a\u043e\u043b\u043e\u201c. (2022). \u0418\u0433\u0440\u0430\u0447\u043a\u0430 \u043f\u0440\u0435\u0434\u0441\u0442\u0430\u0432\u0430 \u0421\u043e\u043a\u043e\u043b\u043e\u0432\u0430 \u043f\u0435\u0441\u043c\u0430. \u0410\u043d\u0441\u0430\u043c\u0431\u043b \u201e\u041a\u043e\u043b\u043e\u201c, \u0411\u0435\u043e\u0433\u0440\u0430\u0434 (\u043b\u0438\u0431\u0440\u0435\u0442\u043e \u0438 \u043f\u0440\u043e\u043f\u0440\u0430\u0442\u043d\u0430 \u043a\u045a\u0438\u0436\u0438\u0446\u0430). \/ Ansambl narodnih igara i pesama Srbije \u201eKolo\u201c. (2022). Igra\u010dka predstava Sokolova pesma. Ansambl \u201eKolo\u201c, Beograd (libreto i propratna knji\u017eica)
21. \u0410\u043d\u0441\u0430\u043c\u0431\u043b \u043d\u0430\u0440\u043e\u0434\u043d\u0438\u0445 \u0438\u0433\u0430\u0440\u0430 \u0438 \u043f\u0435\u0441\u0430\u043c\u0430 \u041a\u043e\u0441\u043e\u0432\u0430 \u0438 \u041c\u0435\u0442\u043e\u0445\u0438\u0458\u0435 \u201e\u0412\u0435\u043d\u0430\u0446\u201c \u041f\u0440\u0438\u0448\u0442\u0438\u043d\u0430\u2013\u0413\u0440\u0430\u0447\u0430\u043d\u0438\u0446\u0430. (2022). 700. \u0410\u043d\u0441\u0430\u043c\u0431\u043b \u201e\u0412\u0435\u043d\u0430\u0446\u201c, \u0413\u0440\u0430\u0447\u0430\u043d\u0438\u0446\u0430 (\u043b\u0438\u0431\u0440\u0435\u0442\u043e \u0438 \u043f\u0440\u043e\u043f\u0440\u0430\u0442\u043d\u0430 \u043a\u045a\u0438\u0436\u0438\u0446\u0430). \/ Ansambl narodnih igara i pesama Kosova i Metohije \u201eVenac\u201c Pri\u0161tina \u2013 Gra\u010danica. (2022). 700. Ansambl \u201eVenac\u201c Gra\u010danica (libreto i propratna knji\u017eica)<\/p>\n

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Anastasija \u017dIVKOVI\u0106: Stage interpretation of the wedding ritual: study case of Falcon Song and Choreodrama 700DOI: 10.63702\/csembe.2025.1.8.08Keywords: Stage folk dance; Choreodrama; Wedding ritual; Ensemble \u201cKolo\u201c; Ensemble \u201cVenac\u201c;Abstract: Some of the first choreographies in the form of choreodrama interpreting traditional dance in Serbia emerged at the beginning of the 20th century driven by young female choreographers […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-2286","page","type-page","status-publish","hentry"],"yoast_head":"\nAnastasija \u017dIVKOVI\u0106 - Stage interpretation of the wedding ritual: study case of Falcon Song and Choreodrama 700 | Cercet\u0103ri \u0219i studii<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cs-embe.ro\/en\/nr-8-1-2025-08\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Anastasija \u017dIVKOVI\u0106 - Stage interpretation of the wedding ritual: study case of Falcon Song and Choreodrama 700 | Cercet\u0103ri \u0219i studii\" \/>\n<meta property=\"og:url\" content=\"https:\/\/cs-embe.ro\/en\/nr-8-1-2025-08\/\" \/>\n<meta property=\"og:site_name\" content=\"Cercet\u0103ri \u0219i studii\" \/>\n<meta property=\"article:modified_time\" content=\"2025-12-06T20:41:03+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/cs-embe.ro\/wp-content\/uploads\/2023\/03\/logo-acb-negru-3-limbi_var1-1.png\" \/>\n\t<meta property=\"og:image:width\" content=\"340\" \/>\n\t<meta property=\"og:image:height\" content=\"183\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/cs-embe.ro\/en\/nr-8-1-2025-08\/\",\"url\":\"https:\/\/cs-embe.ro\/en\/nr-8-1-2025-08\/\",\"name\":\"Anastasija \u017dIVKOVI\u0106 - Stage interpretation of the wedding ritual: study case of Falcon Song and Choreodrama 700 | Cercet\u0103ri \u0219i studii\",\"isPartOf\":{\"@id\":\"https:\/\/cs-embe.ro\/#website\"},\"datePublished\":\"2025-11-01T19:47:00+00:00\",\"dateModified\":\"2025-12-06T20:41:03+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/cs-embe.ro\/en\/nr-8-1-2025-08\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/cs-embe.ro\/en\/nr-8-1-2025-08\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/cs-embe.ro\/en\/nr-8-1-2025-08\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/cs-embe.ro\/en\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Anastasija \u017dIVKOVI\u0106 – Stage interpretation of the wedding ritual: study case of Falcon Song and Choreodrama 700\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/cs-embe.ro\/#website\",\"url\":\"https:\/\/cs-embe.ro\/\",\"name\":\"Cercet\u0103ri \u0219i studii. 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