{"id":2290,"date":"2025-11-01T21:57:00","date_gmt":"2025-11-01T19:57:00","guid":{"rendered":"https:\/\/cs-embe.ro\/sanja-pupac-sofija-vucicevic-tradition-in-motion-srpski-kolovez-as-a-reflection-of-cultural-heritage\/"},"modified":"2025-12-06T22:40:54","modified_gmt":"2025-12-06T20:40:54","slug":"nr-8-1-2025-09","status":"publish","type":"page","link":"https:\/\/cs-embe.ro\/en\/nr-8-1-2025-09\/","title":{"rendered":"Sanja PUPAC; Sofija VU\u010cI\u0106EVI\u0106 &#8211; Tradition in motion: Srpski Kolovez as a reflection of cultural heritage"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;4.21.0&#8243; _module_preset=&#8221;default&#8221; background_enable_color=&#8221;off&#8221; background_image=&#8221;http:\/\/cs-embe.ro\/wp-content\/uploads\/2023\/03\/paper.jpg&#8221; custom_padding=&#8221;||0px||false|false&#8221; animation_style=&#8221;fade&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_row column_structure=&#8221;2_3,1_3&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; custom_padding=&#8221;||80px||false|false&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_column type=&#8221;2_3&#8243; _builder_version=&#8221;4.21.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_text _builder_version=&#8221;4.27.5&#8243; _module_preset=&#8221;default&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<p><strong>Sanja PUPAC; Sofija VU\u010cI\u0106EVI\u0106:<\/strong> Tradition in motion: Srpski Kolovez as a reflection of cultural heritage<\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.27.5&#8243; _module_preset=&#8221;default&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<p><strong>DOI: 10.63702\/csembe.2025.1.8.09<\/strong><\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.27.5&#8243; _module_preset=&#8221;default&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<p><strong>Keywords: <\/strong><span lang=\"it-IT\">Intangible cultural heritage, traditional dance, traditional song, Srpski kolovez, tradition.<\/span><\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;]<\/p>\n<p><strong>Abstract:<\/strong><\/p>\n<p align=\"justify\"><span lang=\"ro-RO\">Intangible cultural heritage encompasses traditions, customs, knowledge, and skills passed down from generation to generation, thus shaping the identity of communities. <\/span><span lang=\"it-IT\">It includes oral traditions, performing arts, rituals, social practices, traditional crafts, and knowledge of nature. In this context, song and dance are still living traditions, especially when it comes to the cultural heritage of the Republic of Srpska. The Srpski kolovez emerged as an inspiration drawn from the dance and musical traditions of the Republic of Srpska and Bosnia and Herzegovina. This paper explores authentic dance elements and traditional songs, examining how they are transmitted, preserved, and adapted through stage performances. Choreographed dance forms and traditional singing make it possible to preserve authentic elements of cultural heritage while simultaneously adapting them to contemporary performance contexts. The emphasis is on how the performance of traditional dances enables generations to learn about their roots, understand and nurture musical heritage, while also preserving national identity and cultural diversity.<\/span><\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.27.5&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;]<\/p>\n<p><strong>References:<br \/><\/strong><\/p>\n<p>1. Baji\u0107 Stojiljkovi\u0107, V. (2022). The process of shaping stage folk music through the prism of the development of folk dance choreography [Proces oblikovanja scenske narodne muzike kroz prizmu razvoja koreografije narodne igre]. Muzikologija, Institute of Musicology, Serbian Academy of Sciences and Arts, Belgrade.<br \/>2. Dopu\u0111a, J. (1963). Review of folk dances of Herzegovina. In Proceedings of the 37th SUFJ Congress (pp. 85\u201386). Zagreb.<br \/>3. Dopu\u0111a, J. (1986). Folk dances and games in Bosnia and Herzegovina. Zagreb: Cultural and Educational Council of Croatia.<br \/>4. Golemovi\u0107, D. (1987). Folk music of Podrinje. Sarajevo: Literary Association &#8220;Drugari&#8221;.<br \/>5. Golemovi\u0107, D. (1997). Serbian two-part singing (forms-origin-development) II. Novi zvuk, 9, 21\u201337.<br \/>6. Ka\u010dar, S. (2001). Folk dances in Upper Resava, Grme\u010d, and \u0110erdap Danube region. In Serbian folk dances, materials (vol. 19, pp. 75\u201395). Belgrade: Faculty of Music Arts.<br \/>7. Kenjalovi\u0107, M. (2014). Song of my parents. Banja Luka: Academy of Sciences and Arts of Republika Srpska.<br \/>8. Mandi\u010devski, V. (1998). Folk dances of Toplica, Eastern Herzegovina, and southwestern Serbia. In Folk dances of Serbia, materials (vol. 15). Belgrade: Faculty of Music Arts.<br \/>9. Popovi\u0107, V. (1999). Folk dances III, Doboj-Tesli\u0107 and Prnjavor-\u010celinac regions. Lakta\u0161i: Serbian Educational and Cultural Society \u201cProsvjeta\u201d.<br \/>10. Popovi\u0107, V. (2000). Folk dances II, folk rounds of Zmijanje. Banja Luka: \u201cBa\u0161tina\u201d Library.<br \/>11. Popovi\u0107, V. (n.d.). Archival materials, Museum of Republika Srpska, Banja Luka.<br \/>12. Pupac, S. (2012). The dances of Zmijanje in the 21st century. In V. S. Milo\u0161evi\u0107 (Ed.), Tradition as inspiration (International Scientific Conference). Banja Luka: Academy of Arts, University of Banja Luka and Musicological Society.<br \/>13. Pupac, S. (2014). Traditional dance and vocal practice of Potkozarje. In Handbook \u2013 Seminar of traditional dances and songs of Ma\u010dva, Jadar and Ra\u0111evina, Potkozarje and Novi Pazar. Belgrade: Center for Study of Traditional Dances of Serbia.<br \/>14. Pupac, S. (2015). Let\u2019s dance the dense \u2013 braided Kozara kolo\/dance. In V. S. Milo\u0161evi\u0107 (Ed.), Tradition as inspiration. Banja Luka: Academy of Arts, University of Banja Luka and Musicological Society.<br \/>15. Pupac, S. (2017). Ethnochoreological field research of Janj region. In V. S. Milo\u0161evi\u0107 (Ed.), Tradition as inspiration. Banja Luka: Academy of Arts, University of Banja Luka and Musicological Society.<br \/>16. Pupac, S. (2018). Heritage of Potkozarje and Podgrme\u010d of Novi Grad and surroundings. Cultural Educational Center Novi Grad.<br \/>17. Rihtman, C. (1951). Polyphonic forms in folk music of Bosnia and Herzegovina. Bulletin of the Institute for Folklore Studies in Sarajevo, 1.<br \/>18. Rako\u010devi\u0107, S., &amp; Ranisavljevi\u0107, Z. (2022). Traditional dance in Serbia: between intangible cultural heritage and contemporary creativity. In Contemporary folkloristics XI (pp. 117\u2013132). Belgrade: Folklore Association of Serbia.<br \/>19. Ranisavljevi\u0107, Z. (2024). Traditional dance on stage as part of contemporary art in Serbia. Kultura: Journal for Theory, Sociology of Culture and Cultural Politics, 182-183, 165\u2013176.<br \/>20. Vasi\u0107, O. (1991). Dance tradition of Podrinje. Sarajevo: Literary Association &#8220;Drugari&#8221;.<br \/>21. Vu\u010di\u0107evi\u0107, S. (2015a). Research of vocal tradition in the municipality of Pale. In Students in the encounter with science: Proceedings (pp. 281\u2013289). Banja Luka: University of Banja Luka.<br \/>22. Vu\u010di\u0107evi\u0107, S. (2017). Polyphonic singing of Mokro and surroundings (Master\u2019s thesis). Banja Luka: Academy of Arts, University of Banja Luka.<br \/>Additional sources<br \/>23. Law on Cultural Property of Republika Srpska. (2022). Official Gazette of Republika Srpska, no. 38\/22.<br \/>24. Personal interview with Goran Pupac. (2025, April 7).<br \/>25. https:\/\/whc.unesco.org\/UNESCO World Heritage Centre. (2025, June 10)<br \/>26. https:\/\/unescobih.mcp.gov.ba\/konkursi\/?id=15125 UNESCO Bosnia and Herzegovina. (2025, June 10).<\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; background_color=&#8221;#FFFFFF&#8221; custom_padding=&#8221;16px|16px|16px|16px|false|false&#8221; border_radii=&#8221;on|8px|8px|8px|8px&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_button button_url=&#8221;https:\/\/cs-embe.ro\/wp-content\/uploads\/2025\/12\/CSEMBE-2025-9.pdf&#8221; button_text=&#8221;Articol PDF&#8221; _builder_version=&#8221;4.27.5&#8243; _module_preset=&#8221;default&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221; sticky_enabled=&#8221;0&#8243;][\/et_pb_button][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;]<\/p>\n<p><strong>Published:<br \/><\/strong>01.11.2025<strong><\/strong><\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;||8px||false|false&#8221; custom_padding=&#8221;||||false|false&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;]<\/p>\n<p><strong>License:<\/strong><strong><\/strong><\/p>\n<p>[\/et_pb_text][et_pb_image src=&#8221;https:\/\/cs-embe.ro\/wp-content\/uploads\/2025\/04\/CC_logomark2.svg&#8221; title_text=&#8221;CC_logomark2&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; max_width=&#8221;50%&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][\/et_pb_image][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;]<\/p>\n<p>This work is licensed under a <a href=\"https:\/\/creativecommons.org\/licenses\/by\/4.0\/\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">Creative Commons Attribution 4.0 International License.<\/span><\/a><\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;]<\/p>\n<p>This work is licensed under a <span style=\"text-decoration: underline;\"><a href=\"http:\/\/creativecommons.org\/licenses\/by\/4.0\/\" target=\"_blank\" rel=\"noopener\">CC BY Creative Commons Attribution 4.0 International License<\/a><\/span>, which permits any use, reproduction, distribution, self-archiving and citation of the work as long as the authors are credited. The complete bibliographical data of <em>Symbolon<\/em> Journal must also be indicated, which you can find in the <em>How to cite<\/em> section on this page. If possible, please also place a link leading to the original publication. Copyright of articles belongs to the authors.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Sanja PUPAC; Sofija VU\u010cI\u0106EVI\u0106: Tradition in motion: Srpski Kolovez as a reflection of cultural heritageDOI: 10.63702\/csembe.2025.1.8.09Keywords: Intangible cultural heritage, traditional dance, traditional song, Srpski kolovez, tradition.Abstract: Intangible cultural heritage encompasses traditions, customs, knowledge, and skills passed down from generation to generation, thus shaping the identity of communities. It includes oral traditions, performing arts, rituals, social [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-2290","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Sanja PUPAC; Sofija VU\u010cI\u0106EVI\u0106 - Tradition in motion: Srpski Kolovez as a reflection of cultural heritage | Cercet\u0103ri \u0219i studii<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cs-embe.ro\/en\/nr-8-1-2025-09\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Sanja PUPAC; Sofija VU\u010cI\u0106EVI\u0106 - Tradition in motion: Srpski Kolovez as a reflection of cultural heritage | Cercet\u0103ri \u0219i studii\" \/>\n<meta property=\"og:url\" content=\"https:\/\/cs-embe.ro\/en\/nr-8-1-2025-09\/\" \/>\n<meta property=\"og:site_name\" content=\"Cercet\u0103ri \u0219i studii\" \/>\n<meta property=\"article:modified_time\" content=\"2025-12-06T20:40:54+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/cs-embe.ro\/wp-content\/uploads\/2023\/03\/logo-acb-negru-3-limbi_var1-1.png\" \/>\n\t<meta property=\"og:image:width\" content=\"340\" \/>\n\t<meta property=\"og:image:height\" content=\"183\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/cs-embe.ro\/en\/nr-8-1-2025-09\/\",\"url\":\"https:\/\/cs-embe.ro\/en\/nr-8-1-2025-09\/\",\"name\":\"Sanja PUPAC; Sofija VU\u010cI\u0106EVI\u0106 - Tradition in motion: Srpski Kolovez as a reflection of cultural heritage | Cercet\u0103ri \u0219i studii\",\"isPartOf\":{\"@id\":\"https:\/\/cs-embe.ro\/#website\"},\"datePublished\":\"2025-11-01T19:57:00+00:00\",\"dateModified\":\"2025-12-06T20:40:54+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/cs-embe.ro\/en\/nr-8-1-2025-09\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/cs-embe.ro\/en\/nr-8-1-2025-09\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/cs-embe.ro\/en\/nr-8-1-2025-09\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/cs-embe.ro\/en\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Sanja PUPAC; Sofija VU\u010cI\u0106EVI\u0106 &#8211; Tradition in motion: Srpski Kolovez as a reflection of cultural heritage\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/cs-embe.ro\/#website\",\"url\":\"https:\/\/cs-embe.ro\/\",\"name\":\"Cercet\u0103ri \u0219i studii. 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