Ion Alexandru ARDEREANU: Thoughts on the challenges of transcribing Byzantine notation into western (staff) notation
DOI: 10.63702/csembe.2025.1.8.07
Keywords: Byzantine Music; Byzantine Music Theory; Neumes; Byzantine Music Notation;
Abstract:
The transcription of byzantine musical notation into western (staff) notation is difficult, since the Byzantine system uses microintervals, qualitative signs, and rhythmic freedom that are hard to capture; solutions range from analytical transcriptions to simplified choral versions, but staff notation remains only an aid, with full understanding depending on oral tradition and authentic practice.
References:
1. Chrysanthos, M.: Great Theory of Music, 1832, Grecia: Tipografia Patriarhală.
2. Wellesz, E.: A History of Byzantine Music and Hymnography, 1949, Marea Britanie: Oxford University Press.
3. Tillyard, H.J.W.: Monumenta Musicae Byzantinae. Transcripta, 1935, Danemarca: Universitatea din Copenhaga.
4. Arvanitis, I.: Studies on Rhythm and Byzantine Chant Transcription, 2000, Grecia: Editura Universității din Atena.
5. Lingas, A.: Performance Practice and Byzantine Chant, 2006, Statele Unite: Ashgate.
7. Barbu-Bucur, S.: Manuscrise bizantine pe teritoriul României. Studiu muzicologic, 1989, România: Editura Muzicală.
Published:
01.11.2025
License:
This work is licensed under a Creative Commons Attribution 4.0 International License.
This work is licensed under a CC BY Creative Commons Attribution 4.0 International License, which permits any use, reproduction, distribution, self-archiving and citation of the work as long as the authors are credited. The complete bibliographical data of Symbolon Journal must also be indicated, which you can find in the How to cite section on this page. If possible, please also place a link leading to the original publication. Copyright of articles belongs to the authors.